MWF 9-9:50
What is “modernity”? What is “modernism”? In this course we will discuss these elusive terms
and how they apply to world literature of the first half of the twentieth century. In the first half of
the course, we will focus on literary techniques and thematic concerns of well-known individual
works, and in the second half we will survey the various “-isms” of the avant-garde and speculate
on their interrelations. We will discuss the works in relation to one another and to the broad
concepts of “modernity” and “modernism.” In this process, students will acquire a solid
knowledge of modern classics and improve their close-reading and interpretative skills. We will
examine these literary texts within their cultural and historical contexts, relating them to the other
arts (e.g., the fine arts, ballet, and film) and to influential philosophical and scientific trends (e.g.,
Friedrich Nietzsche, Henri Bergson, Sigmund Freud, and Albert Einstein). We will discuss
diverse genres, including the novel, the novella, the short story, poetry, and drama, by both
Western and non-Western writers, endeavoring both to define their differences and identify their
common concerns. All readings are in translation.