Throughout the semester our major tasks will be to read selected poems carefully to see the connections between manners of presentation and effects created by the techniques used; to write poems; to discuss selected poems written by members of the class; to comprehend the relationship between understanding a poem and appreciating its comparative level of success. In doing the above, we shall explore representative examples of poetry in terms of levels of language used and possibilities of form, both fixed and open.
There will be numerous discussions having to do with rhythmic and sonic effects, the major forms for poetry, different attitudes toward poetic art and composition. In short, the students will be dealing with and becoming more knowledgeable about poetic history. The students will be developing throughout the semester a fairly sophisticated understanding of poetic technique, and with that points of advantage and disadvantage regarding particular concerns of style.
Each member of the class will be expected to turn in a new (or revised) poem approximately every week. Because these will be looked at as exercises, as efforts at exploration of voice and technique, they will not be graded, though I shall comment on them. Near the end of the semester each student is expected to turn in a sheaf of five poems written and polished during the semester. Success in the class will be determined by quality of improvement, attentiveness to and participation in class discussion, and faithfulness in regard to class attendance. Students may very well be dropped from class for what I consider excessive absences. I reserved the right to determine was “excessive” means. At the end of the semester, the students in the class will introduce a short selection of (about four) poems, written by the student during the semester, and read them to the class. In order to pass the course, the student will have to participate in the readings, and that includes being present while the other class members read. Failure to do either one of those will mean that the student has not satisfactorily completed the course.
Aug. 23 Introduction: speaker, persona, line
25 The Red Wheel 338; Spring and All 337; This is 339, Digging 149, The soul 89
30 Image & metaphor; sonic devices, To The Virgins 159; Dream Boogie 173; The Negro 172
Sept. 1 Harlem 174; Punishment 152
6 Rhythm & Meter; Western Wind 3, Dover Beach 8; You fit 18
13 The Road 127
15 Poems from the class
20 Forms: Ballad, sonnet, terza rima, villanelle, ghazal, pantoum, haiku
22 Acquainted 130; Design 181; Stopping 129
27 That time 277; Sonnet 130 (p.278)
29 Poems from the class
Oct. 4 We real cool 45; Homage 65, The Emperor of Ice Cream 302
6 Holy sonnets 100; A Valediction 75
11 Ode 186; My Last Duchess 48;
13 Dulce Et 234; Because I Could not 91 (ext. metaphor), A Narrow Fellow 92
18 When I Heard 164, Sailing To Byzantium 185,
Leda 184
20 Poems from the class
25 My Papa’s 252; Being Born 224; Love is Not 224
27 What Lips 223
Nov. 1 Do Not Go 313; Fern Hill 311
3 Wild Nights 188; The Sun Rising 94
8 Anecdote 297; God’s Grandeur 161; The Windhover 162; Pied Beauty 162
10 Sunday Morning 298
15 TBA
17 TBA
22 Sunday Morning 298
24 THANKSGIVING / no class
29 1 SHEAF OF POEMS DUE; wrap-up
Dec. 1 Readings begin
FINAL EXAM (conclusion of readings): Wednesday, Dec. 6, 10:30 a.m.—12:30 p.m.
POEMS FOR FURTHER READING & STUDY
In A Station 251
The River-Merchant’s Wife 250
The Love Song 109
Cherry Log Road 84