Time: MWF, 9:00am-9:50am
Course Objectives:
To understand the important artistic and political philosophies that inform Western Drama: classicism, neo-classicism, romanticism, realism, theatricalism.
To be able to identify important individuals, groups, technologies, and events in theatre history and to understand their contributions and importance to the art form.
To make connections between theatrical expressions from the past and try to understand what the theatre in the past had to say about the nature of art, humanity, and society.
Students should have a firm understanding of various dramatic genres (tragedy, comedy, melodrama, drame, tragicomedy) and sub-genres.
Students are expected to apply knowledge from this course and outside study in an original research project.
Texts: Required
Edwin Wilson and Alvin Goldfarb. Living Theatre: A History, McGraw-Hill, 2004
Moliere, Richard Wilbur. The Misanthrope and Tartuffe, Mariner Books, 1965
Pierre Corneille. The Cid, Cinna, The Theatrical Illusion, Penguin Classics, 1976
William Wycherly. The Country Wife, Nick Hern Books, 2002
William Shakespeare. As You Like It, Oxford, 2009 (Any edition will do)
Grading Breakdown: (on a 100 pt. Scale)
The Instructor reserves the right to adjust or cancel assignments as the course progresses. If, for some reason, assignments administered total somewhat more or fewer than 1,000 points, the method for obtaining the final grade will remain essentially the same: the total points achieved will be divided by the total points possible to obtain a percentage, and a grade will be assigned according to the percentage scale outlined below.
Assignments
Homework, Class Work and Quizzes 20%
Test 1 15%
Test 2 15%
Test 3 15%
Test 4 15%
Term Paper 20%
Grading Scale
A= 90%-100%
B=80%-89%
C=70%-79%
D=64-69%
F= < 64%
Quizzes:
Quizzes will be administered periodically throughout the semester.
Tests: There will be three tests in this class. Each test will cover approximately one third of the content of the course. Questions will be derived from lecture material, in-class discussions, and the textbook.
Paper: The paper for this course should:
(1) Cover a sufficiently limited topic approved in advance by the instructor.
(2) Be well organized, with (a) an introduction that establishes the scope of the topic, contains a clear statement of purpose, and establishes the main ideas to be developed, (b) a body that interestingly and adequately develops the main ideas of the paper, and (c) a conclusion that summarizes the essential findings of the paper.
(3) Include visual aids that give the reader a deeper understanding of the topic.
Extra Credit:
There is NO EXTRA CREDIT.
Late papers will not normally be accepted. If late paper are acepted teh instructor reserves the right to make deductions as he sees fit.
Attendance:
Attendance is mandatory. There are NO unexcused absences. Repeated tardiness is also unacceptable. We have a substantial amount of material to cover and a limited amount of time. Each day we will be covering or presenting NEW material. Your absence will affect the progression and dynamic of the rest of the class. You will receive a two-point grade deduction off of your final grade for each unexcused absence. There are no exceptions to this policy. After five absences the instructor reserves the right to drop a student with an “F”.
Punctuality:
Role will be taken at the beginning of each class. Each student is allowed ONE tardy (not to exceed 10 min) with no deduction during the semester. After the first tardy, if a student is not present at the time role is taken they are marked absent. If a student is habitually tardy to class under 10 minutes the instructor reserves the right to penalize the student accordingly.