To comprehend important developments in Western drama that have occurred since the mid-20th century. [Related departmental learning outcome: knowledge of development of theatre]
To experience (through scripts, films, and productIons) a number of plays that illustrate these developments and to analyze these plays both orally and in writing. [Related departmental learning outcome: knowledge of development of theatre]
To articulate the impact of important writers and other theatrical personages who have shaped the contemporary theatre. [Related departmental learning outcome: knowledge of development of theatre]
To experience live theatrical productions at MSU (Almost, Maine by John Cariani and The Bacchae by Euripides) and the Dallas Theatre Center (Chad Deity by Kristoffer Diaz) or the Winspear Opera House (WarHorse: book by Michael Morpurgo, stage adaptation by Nick Stafford). [Related departmental learning outcome: theoretical/conceptual knowledge and application]
The dates and times for the MSU and Dallas Theatre Center productions are as follows:
NOTE: Attendance at both Chad Deity and WarHorse earns 25 bonus points
Required Scripts
AFRICAN AMERICAN DRAMA
A Raisin in the Sun by Lorraine Hans berry
Dutchman by Amiri Baraka (script provided)
Fences by August Wilson
Topdog/Underdog by Suzan-Lori Parks
LATINO-LATINA DRAMA
Anna in the Tropics by Nilo Cruz
MACHISMO DRAMA
Glengarry Glen Ross by David Mamet
FEMINIST DRAMA
The Vagina Monologues by Eve Ensler
Recommended Text
Edwin Wilson and Alvin Goldfarb, Living Theatre: History of the Theatre (New York: McGraw Hill, 2008)
Movies to Be Viewed (in whole or in part)
A Raisin in the Sun with Sidney Portier and Ruby Dee
MUSICAL THEATRE
Sweeney Todd with George Hearn and Angela Lansbury
Glengarry Glen Ross with Al Pacino and Jack Lemmon
The Vagina Monologues with Eve Ensler
GAY AND LESBIAN DRAMA
Torch Song Trilogy with Harvey Fierstein, Matthew Broderick, and Ann Bancroft
Selected Readings (to be distributed as handouts)
Graded Assignments
Regular quizzes or the assignment of short written responses to the readings
Historical-perspective papers of 2-4 pages (no more than 4, PLEASE) for seven of the plays read/viewed during the course. Papers will be graded both on content (75%) and writing style (25%).
Two tests will be administered, each covering approximately one-half of the course.
Points will be awarded for one of the following independent endeavors:
Who’s Afraid of Virginia Woolf? by Edward Albee (drama that broke previously accepted
boundaries for language and sexuality)
Angels in America: Perestroika by Tony Kushner(gay/lesbian drama (companion play to Angels in America: Millennium Approaches)
Fat Pig by Neil LaBute (feminist drama)
How I Learned to Drive by Paula Vogel (drama about pedophilia)
Robert Wilson
Julie Taymor
Ann Deavere Smith
Mabou Mines
A U.S. regional theatre company
Evaluation
Attendance/participation ................................................................................................. 100
0 misses = 100 points
1 miss = 95 points
2 misses = 85 points
3 misses = 75 points
4 misses = 60 points
5 misses = 40 points
More than 5 misses = 0 points
Quizzes and/or short written assignments........................................................................ 100
Identification assignment .................................................................................................. 75
Historical-Perspective Papers (7x50 points each)............................................................... 350
Test 1............................................................................................................................... 150
Test 2.. ............................................................................................................................ 125
Reader’s Theatre Presentation........................................................................................... 50
Attendance at Warhorse/Chad Deity or Additional Paper)................................................... 50
Total 1000
Final grade: 895-1000 = A, 795-894 = B, 695-794 = C, 595-694 = D, 0-594 = F
Scale for grading daily work (grades assigned to nearest percentage point):
A (96-100%) B+ (87-89%) C+ (77-79%) D+ (67-69%)
A- (90-95%) B (83-86%) C (73-76%) D (63-66%)
B- (80-82%) C- (70-72%) D- (60-62%)
F (below 60%)
*Note: The instructor reserves the right to adjust or cancel assignments as the course progresses. If, for some reason, assignments administered total somewhat more or fewer than 1,000 points, the method of obtaining the final grade will remain essentially the same: the total points achieved will be divided by the total points possible to obtain a percentage, and a grade will be assigned according to the scale outlined above.
Student Rights and Responsibilities
PRIVACY
Federal law prohibits the instructor from releasing information about students to parties outside of the university without the signed consent of the student. Thus, in almost all cases the instructor will not discuss a student’s academic progress or other matters with his/her parents.
ADAPTATIONS AND ACCOMMODATIONS
If a student (1) needs course adaptations or accommodations because of a disability, (2) has emergency medical information that needs sharing, or (3) requires special accommodations in case the building must be evacuated, he/she should make an appointment with the professor as soon as possible.
CONDUCT
Classroom behavior that interferes with either the instructor’s ability to conduct the class or the ability of other students to profit from the instruction will result in the instructor’s removing the disruptive student(s) from the class.
SOCIAL JUSTICE
Social justice is one of Midwestern State University’s stated core values, and the professor considers the classroom to be a place where students will be treated with respect as a human being, regardless of gender, race, ethnicity, national origin, religious affiliation, sexual orientation, political beliefs, age, or ability. Moreover, diversity of thought is appreciated and encouraged, provided the student can agree to disagree. It is the professor’s expectation that ALL students be able to consider the classroom a safe environment.
PLAGIARISM
Plagiarism is (1) the use of source material of other persons (either published or unpublished, including the Internet) without following the accepted techniques of giving credit or (2) the submission for credit of work not the individual’s to whom credit is given. If a student in the class is caught plagiarizing, appropriate disciplinary action will be taken. The Student Creed developed and adopted by the MSU Student Government reinforces the discouragement of plagiarism and other unethical behaviors. The first statement of the creed reads, “As an MSU student, I pledge not to lie, cheat, steal, or help anyone else to do so.” Plagiarism is lying, cheating, and stealing.
CELL PHONES AND COMPUJTERS
The use of cell phones in any way during class is forbidden. The use of computers to take notes is permissible unless the student is tempted to take the opportunity to go online and “disconnect” from class activities and discussions.