MWF 9:00 - 9:50 am
By the end of the semester, the student should be able to do the following:
A) Define the roles taken by theatricians and how those roles interact to create theatre.
B) Evaluate the success of a given group of artists in relationship to the goals of that particular production.
C) Visualize and discuss the elements of theatre in non-theatrical setting.
D) Identity with and explain one’s similarities with a character in a given production.
E) Understand the impact of traditional theatre on popular theatrical forms (television, film and the entertainment industry).
F) Attend and meaningfully discuss theatrical productions, using critical, creative and innovative writing.
G) Demonstrate critical thinking skills through the Playwriting Project and Design Project.
H) Demonstrate teamwork by participation in the Production Project.
I) Demonstrate social responsibility through a journal entry.
Test 1 100
Test 2 100
Design Project 50
Playwriting Project 50
Production Project 50
First production critique 100
Second production critique 100
Journal entries 150 (15 points each)
Final Exam 150
Total possible points 1000
Journal Submission Guidelines
The following format is to be used for submission of journal entries.
a) All entries are to be kept and submitted in one 3 prong, 2 pocket cardboard folder.
b) The student’s name must be printed on the upper right corner of the outside of the folder.
c) Each entry is to be printed using 12 point New Times Roman font and double spaced. Margins should be no larger than 1” except the left margin which may be 1 ½”.
d) The journal is a collection of responses and commentaries. These entries should be 75-150 words in length.
e) Each entry should begin with the assigned question and the date of the entry. No other information should be at the top of the page.
f) Entries should be written in complete sentences using the attached rubric as a guideline for writing.
Production Critique Guidelines
The following format is to be used for submission of critiques:
a) The critiques are to be submitted in one 3 prong, 2 pocket cardboard folder (NOT the same folder you use for the journal).
c) The critique should be 3-4 pages in length.
d) Each entry is to be printed using 12 point New Times Roman font and double spaced. Margins should be no larger than 1” except the left margin which may be 1 ½”.
e) Critiques should be written in complete sentences using the attached rubric as a guideline.
f) Your ticket stub MUST be attached to your critique. I will NOT accept any ticket stub that is not attached properly (either stapled or paper clipped).
g) Use a cover page that includes: your name, the name of the play, when and where you saw the production.
The following are the guidelines for a production critique:
a) Answer these three questions:
What is the artist/production trying to do/say?
How does the artist do it?
Is it worth doing?
b) Discuss your opinion of the production, considering the audience reaction, the success of the production as an evening of theatre, and the clarity of the story telling.
c) Discuss any and/or all of the following:
The actors’ portrayal of their characters
What the play says about life
The scenery, lighting, costuming, make-up and sound and their impact on the production
d) Write and rewrite. Proof carefully.
e) Be specific and provide examples.
f) Use past tense to describe the action of the play.
Critiques are due at the beginning of class, the day after the final performance. Critiques will NOT be accepted at any other time. Not 10 or 15 minutes into class. Not that afternoon. Not the next day. If you are too ill to attend class, send your folder with another student.
You are expected to do the assignments when they are assigned. Failure to do so will result in an inability to keep pace with the class. All graded assignments should be submitted on or before the deadline. All written assignments MUST be typed. Handwritten work will NOT be accepted.
Late assignments will NOT be accepted. Late assignments will NOT be accepted. Late assignments will NOT be accepted.
I do not accept emailed or faxed assignments. I do not accept emailed or faxed assignments. I do not accept emailed or faxed assignments.
Be sure to print your assignments ahead of time. Do not presume that the printer in any given computer lab will be working right before class!
Student Responsibilities - Attendance
You are expected to attend all classes. Since lectures expand on assignments, missing class means missing important information. This class is, by its nature, participatory. Missing class means missing the chance to participate in your own education and the education of others in the class. Attendance is taken at the beginning of the class. The professor reserves the right to disallow counting a student present who is extremely late. Each student will begin the semester with 50 attendance points. Each absence or tardy will lower your total by 5 points. The professor may drop a student any time during the semester for excessive absences, for consistently failing to meet class requirements, for an indifferent attitude, or for disruptive conduct.
If you skip class and miss a quiz or graded exercise, it cannot be made up. If you miss class due to illness, you can make it up as long as you a) call/email before class and 2) present written documentation when you return to class.
Student Responsibilities – Honesty
Dishonest work on homework or on examinations is a serious offense, as is plagiarism. The university and the professor will not tolerate either one. If either occurs, appropriate disciplinary action will be taken. The 2002-2003 Student Senate wrote and adopted the MSU Student Honor Creed. The highlight of the creed is “As an MSU student, I pledge not to lie, cheat, steal, or help anyone else to do so”. Enough said.
Student Responsibilities – Classroom Behavior
Many of us own and use cell phones as our major method of electronic communication. Students are expected to turn off their cell phones when entering the classroom. Under no circumstances are students to be answered during class. Should the student need to take an emergency call, the professor expects the student to leave the room and not return, minimizing the disruptions for the remaining students. Before class begins, ensure that cell phones are off or are disabled so the phone does not ring during class – better yet, do not bring your phone to class. If other commitments are so pressing that they cannot wait until the end of the class session, it may be in the student’s best interests to reconsider the priority being placed on being in this class. In any case, the professor reserves the right to ask you to leave immediately or to embarrass you mercilessly if your phone makes noise during class. TEXTING and SLEEPING will not be tolerated. You will be called out or publicly embarrassed for this.
In this class, we will be exposed to a variety of playscripts. Some of these plays may confront you about ideas and beliefs that you have long held. That is the nature of art. If you open your mind to the new experiences, you may find yourself exposed to new paradigms that will enlighten you. Social justice is one of MSU’s stated core values, and the professor considers the classroom to be a place where students will be treated with respect as human beings, regardless of gender, race, ethnicity, national origin, religious affiliation, sexual orientation, political beliefs, age, or ability. Moreover, diversity of thought is appreciated and encouraged, provided the students can agree to disagree. It is the professor’s expectation that ALL students be able to consider the classroom a safe environment. Be civil at all times and focus on understanding the material being discussed. As we discuss theatre, let us do so in a non-confrontational way. A university is a place in which we are each encouraged to grow to our ultimate potential – disparaging comments or words intended to harm others (as a group or individual) are inappropriate in the twenty-first century and will not be tolerated in this classroom. Please consider this carefully. If you are easily offended, particularly by discussing things with which you do not agree morally or philosophically, this class may not be for you. The appropriate time to withdraw is now.
Do not be intimidated by the size of this class. I very much want to hear your well considered thoughts and opinions and to answer your questions. This course is most effective when the overall spirit is one of collaboration – just like theatre!
No food is allowed in the classroom for any reason.
You may not bring any beverage other than water into the classroom. If you bring water, it must be in a sports top bottle. This is a working theatre!
YOU MUST BRING THE TEXT TO CLASS EVERYDAY.
In short: Be on time. Be awaked. Be prepared. Be engaged. Ask questions. Study. Come ready to be a scholar or stay home.
Students with disabilities or who are in need of special arrangements should see the professor as early as possible in the semester. Please note that in order to qualify for consideration of special accommodations, the student must be registered with the MSU Office of Disability Services, and the professor must receive a memo on file from that office, along with the Special Accommodations Request Form.
1. BE ON TIME! We will discuss what “on time” means.
2. When attending a public performance, it is both rude and disruptive to use an electronic device of any kind, talk excessively, or create any other kind of disturbance that distracts or interferes with audience members or performers.
3. Ushers and other faculty members regularly attend these performances. If a faculty member or usher reports to me that you, by name, were observed using an electronic device or engaged in disruptive behavior, you will receive a zero for the performance critique.
4. No food or beverages are allowed in the theatre.
5. No photography of any kind.
6. No matter how tempting, do not take notes during the performance.
7. Dress: Upscale casual to dressy. The idea is not to look sloppy as this shows a lack of respect to the artists.
By accepting this syllabus, you are indicating that you understand and accept all the professor’s policies listed herein.