TTh 12:30-1:50
The goal of this class is to provide instruction in the fundamentals of music composition. We will study different components of composition, such as rhythm, melody, harmony, timbre, texture, and form. In addition to composing, students will become more familiar with important musical works of contrasting styles from the last four centuries, with emphasis on 20th century music.
Most class sessions the instructor will provide feedback on students’ work-in-progress. This is typically an analysis and discussion of musical and notational choices. The overall objective is for students to produce an ideal representation of their work. Final drafts may be done by hand, or using computer notation. I recommend Sibelius software.
Grading: There are 100 points total:
90-100 A 80-89 B 70-79 C 60-69 D under 60 F
Theme and Variations Piece—35 points (points awarded for final draft and while in-progress)
Song Set—35 points (points awarded for final draft and while in-progress)
In-class Performances—10 points (2 in-class performances, 5 points each)
Listening Quizzes—20 points (2 quizzes, 10 points each)
Late work not accepted.
None.
Semester schedule
Week 1—Go over syllabus, discuss semester projects
Detailed discussion of Beethoven’s “Diabelli” variations
Week 2—begin theme and variations piece (5 points)
Either select a theme by another composer, or compose your own.
Week 3—continue theme and variations piece, short in-class presentations (5 points)
Week 4—continue theme and variations piece, short in-class presentations (5 points)
Week 5—continue theme and variations piece, bring work-in-progress (5 points)
Week 6—an additional week of feedback, if needed
Week 7--final draft of theme and variations due March 3 (10 points),
Compose a 3-4 minute piece for piano and solo wind/brass/string instrument using theme and variations form. You may use an existing or original theme.
Week 8—listening quiz #1 on March 8 (10 points), and in-class performance of theme and
Variations on March 10, followed by discussion (5 points) Bring extra copies
Week 9—Discussion of songs. Select text. Detailed discussion of specific songs by Schubert,
Ives, Johnson
Week 10—begin songs, bring work-in-progress (5 points)
Week 11—continue songs, short in-class presentations (5 points)
Week 12—continue songs, short in-class presentations (5 points)
Week 13—an additional week of feedback, if needed (5 points)
Week 14--final draft of short pieces due May 3 (10 points)
Compose two contrasting songs for solo voice and piano, a total of 3-4 minutes in length.
listening quiz #2 on May 5 (10 points)
In-class performance of songs on Thursday, May 12, at 10:30pm (5 points)