Detailed Information for James Hoggard

       TEACHING EXPERIENCE

       

                1963-65  Teaching Assistant, University of Kansas

                1966 – present,  Midwestern State University

                1973  July-August, Consultant, SMU's Fort Burgwin Writers Workshop, Ranchos de Taos, NM

                1977  July-August, Guest Professor, Instituto Allende, San Miguel de Allende, Mexico

1978  July-August, Guest Professor and Writer-in-Residence, Instituto Allende, San Miguel de Allende, Mexico  1991 May, Exchange Professor, University of Mosul, Iraq (gave series of 15 lectures to faculty and graduate students

1993  January-May, Exchange Professor, Instituto Tecnologico de Estudias Superiores de Monterrey,                                               Campus                 Chihuahua, Chihuahua, Mexico

                2006 Spring semester, USM/MSU Studies in France, The Abbey, Pontlevoy, France

2007 Summer term (5 July – 5 August), British Studies in London, team-teaching Humanities with Lynn     Hoggard      

 

COURSES TAUGHT(freshman through graduate levels)

 

            Rhetoric & Composition; Rhetoric & Composition (Honors); Survey of English Literature; Survey of American Literature; Creative Writing (different sections in poetry, fiction, drama); Tragedy; Comedy; Contemporary Novel; World Drama; Modern English & American Poetry; Modern World Literature, Literature of the South & Southwest; Poetry; Modern American Literature; Honors Tutorials; Seminar on Greek Tragedy; Seminar on Modern Poetry; Seminar on Modern World Drama; Seminar on the Novel; Translation Workshop; thesis advisement       

 

COURSES DEVELOPED AT MSU WHICH ARE NOW IN CATALOGUE

 

            Tragedy; Comedy, Literature of the South & Southwest 

 

                Faculty Publications & Artistic Productions (Wichita Falls: Midwestern State UP, 1995).

                Married To Dance: The Irina & Frank Pal Story, Lynn Hoggard (Wichita Falls: Midwestern State UP,                                          1995).

                The Tehuantepec Jungle, Walter W. Dalquest, Midwestern State UP,1996. 

                The Texas Economy: 21st Century Challenges, ed. by Louis J. Rodriguez and Yoshi Fukasawa, Midwestern                                 State UP, 1996.

                Lloyd Ruby: The Greatest Driver Never To Win The Indy 500, Ted Buss (Wichita Falls: Midwestern State                                     UP, 2000)

MidwesternState University: The Better Part Of A Century, Everett Kindig (Wichita Falls: Midwestern State UP, 2001)

Playing By Heart: Leon Gibbs & The Mills Brothers Band, Carroll Wilson (Wichita Falls: Midwestern State  UP, 2003.

                The Life And Times Of Judge Graham Purcell, Ted Buss (Wichita Falls: Midwestern State UP, 2004).

Tales of Texoma: Episodes in the History of the Red River Border, ed. Michael Collins (Wichita Falls: Midwestern State UP, 2005).

Ribbons of Time, photographs by Walter W. Nelson, text by Douglas Preston (Wichita Falls: Midwestern State  UP, 2006).

                Putting Dreams To Flight, by Leland Snow as told to Al Cleave (Wichita Falls: Midwestern State UP,                                             2008). 

 

 

                ESSAYS & NONFICTION

      

1964        "Death of the Vicarious," Southwest Review (Autumn): 366-374. 

     

1966        "A Sketch of Structure In Modern Criticism," MidwesternUniversityQuarterly, Vol. 2, No. 2: 75-81.

 

1975        "Tragedy As Mediation," Southwest Review (Summer): 265-276.

       

1979        "A Meditation On Comedy," Southwest Review (Summer): 265-279.

      

1980        "Takin' Care Of Business: A Profile On Bobby Johnson," Vision, July:  24-29.

 

1982        "Riding The Wind," Southwest Review (Summer): 322-330. 

                "Latin Teacher's Vision Instilled A Sense Of Understanding," DallasTimes Herald, Southwest Letter, 31                                       Oct.: 40-A.       

 

1983        "The Escape of Bobby Johnson" (excerpt from Elevator Man), Westward: Dallas Times Herald, 31 July: 6-                    8, 10.

                "Emphasis On Sincerity Misses The Point," DallasTimes Herald,  Southwest Letter, 11 Sept.: 37-A.

                "Matching," Westward: Dallas Times Herald, 2 Oct.:  34.

                "The Day Bobby Johnson Disappeared" (excerpt from Elevator Man),  Texas: Houston Chronicle                                                  Magazine, 23 Oct.: 8-10.       

 

1984        "For The Fear Of Ole,"Westward: Dallas Times Herald, 5 Feb.:  26.

                "Shopping Mall: Daydreaming Through An Urban Fantasyland," DallasTimes Herald, Southwest Letter,                                     12 Feb.: 40-A.

                "Monkeying With The Truth," Westward: Dallas Times Herald, 4 March: 30.

                "Texas Plainsong," Westward: Dallas Times Herald, 15 April:  22.

                "Circling Back," Southern Living, May: 166.

                "Facing Defeat, Sideways," Westward: Dallas Times Herald, 24 June:  22.

                "To The Garden, Alone," Westward: Dallas Times Herald, 29 July: 19.

                "Led By A Child," Westward: Dallas Times Herald, 9 Sept.: 22.

                "Where Temples Call," Westward: Dallas Times Herald, 4 Nov.: 18.

                "Talking On The Phone With The World," Westward: Dallas Times Herald, 18 Nov.: 23-24, 27.

                "The Christmas Pyramid," Westward: Dallas Times Herald, 23 Dec.: 18.

      

1985        "The Snow's Purple Toes," Westward: Dallas Times Herald, 17 Feb.: 18.

                "Playing With Illusion," Westward: Dallas Times Herald, 7 April: 18.

                "Into Luxembourg Gardens,"City Magazine/Wichita Falls, Dec.: 38-41.

      

1986        "Taking A Drive Into The Past," DallasLife Magazine: Dallas Morning News, 23 March 1986: 14-16, 18.

      

1987        "On Common Sense," City Magazine/Wichita Falls, April: 37.       

      

1988        "Sandstone And Ice: Memory And Sight," CimarronReview, Oct.: 50-59.

                “Preface” to The Art of Dying/Arte de morir (Pittsburgh: Latin American Literary Review P): 5-7.      

1989        "Correcting An Error: [Robert Frost's] 'The Road Not Taken,'" Notes on Contemporary Literature, Vol.                                          XIX, No. 1 (Jan.): 7-8. 

                "Working At Home With Them," Concho River Review III-1 (Spring): 39-45.

                "On The Poetry Of Oscar Hahn: An Introduction," Vortex: A Critical  Review IV-V: 29-31.

      

1990        "Saddam's Shadow," TexasMonthly, Oct.: 34, 38, 40.

1991        “Preface” to Love Breaks/Mal de amor (Pittsburgh: Latin American Literary Review P): 9-14.      

 

1992        "Herndon Park," ConchoRiverReview

 

1994        “Translator’s Afterword” to Chronicle Of My Worst Years/Ctónica de mis aZos peores(Evanston:                                 Northwestern UP): 79-84.

 

1996        “Stars Set In A White Sky,” Two Lines (Spring): 72-73.

                “The Magic Of Synthesis,” Manoa  8-1 (Summer): 37-39.

 

1998        “The Fantastic Turns Of Time,” Two Lines (Spring): 94-95.

                 “The Writer As Translator: An Interview With Ellen Watson,” Translation Review, No. 54: 4-7.

                “What The Truth Depends On,” Faculty Papers, Midwestern State University, Series 3, No. :

 

1999        “Remarks On Translation,” Clackamas Literary Review III-1: 3.

                “The Intimate Presence Of The Other: An Interview With Margaret Sayers Peden,” Translation Review,                                        No. 56: 3-9.   

                Essay on “Acrophobia” and poetics, in Roundup: An Anthology of Texas Poets From 1973 until 1998, ed.                                                  by Dave Oliphant. Cedar Park: Prickly Pear: 96-100.

                Three-part series on Cuba: “Cuba’s History on Display for Visitors with Keen Eye,” Wichita Falls Times                         Record News, 23 May: 1, 14A; “Past and Future Mingle, 24 May: 1, 6A; “Back to the Homeland,”                              25 May: 1, 9A.

 

2000        “The Expansive Self: The Poetry of Tino Villanueva,” The Texas Observer, 12 May: 23-25.

                “Blue Paints,” TexasCo-op Power, July: 20-21.

                “Hotter’n Hell Hundred,” Texas Parks & Wildlife, August: 56-63.

“Meter And Rhyme,” Mooring Against The Tide: Writing Fiction and Poetry, ed. Jeff Knorr and Tim                                             Schell. Upper Saddle River, NJ: Prentice-Hall: 45-50.

                “Point Of View In Poetry,” Mooring Against The Tide: Writing Fiction and Poetry, ed. Jeff Knorr and Tim                                    Schell. Upper Saddle River, NJ: Prentice-Hall: 63-67

“Poetry of the Plain(s): An Ancient Art Form Has Much To Tell Us, Even In Texas,” Fort Worth Star-Telegram 10 September: E1+.

 

2001        Commencement Address, Midwestern State University, 12 May. Wichita Falls.

                “Remarks To Celebrate The National Translation Award,” Translation Review, No. 60: 4. Originally                                                 delivered at ALTA’s annual conference, October 2000, San Francisco.

“Return To Cuba,”  3-part series in (Wichita Falls) Times Record News 1 July: 1+; “Trading Thoughts,” 2 July: 1+; “A Spirited Nation,” 3 July: 1+.

“London: The Theatre Of Place,” Faculty Papers: Midwestern State University, Series 3, Vol. XIV (1997-2000): 93-101.

                “An Odd Little Offer,”The Texas Observer, 23 November: 22-23.

 

2002        “The Marathon Shirt,” The Texas Observer, 15 February: 30-31.

                “The Devil’s Fingers,” The Texas Observer, 27 September: 30-31.

“The Draw of the Other,” Voice-Overs: Translation and Latin American Literature, ed. by  Daniel Balderston and Marcy E. Schwartz (Albany: State University of New York Press): 100-103.

                “The Good Life,” The Texas Observer, 22 November: 30-31.

 

2003        “Jazzing Through The Drought,” The Texas Observer, 29 August: 30-31.

 

2004        “The Killdeer Run,” The Texas Observer, 9 April: 30-31.

                “Shooting Skeet,” The Texas Observer, 18 June: 30-31.

                “The Rhythms of Closeness, The Touch of the Word,” Langdon Review of the Arts in Texas, Vol. 1: pp. 19-

22.

                “Preface” (to poems on paintings by Edward Hopper), Langdon Review of the Arts in Texas, Vol. 1: p. 23.

                “At The Foot Of The Pole,” TexasObserver 8 Oct.: 29-31.

 

2005       “Flyfishing,” The Texas Observer 4 Feb.: 29-31

 

2007        “A High Trail,” New Texas: 57-60.

“Getting Away,” ConchoRiverReview, XXI-2 (Fall): 48-53.

 

2008        “Translator’s Preface to Oscar Hahn’s Ashes In Love,” Hofstra Hispanic Review Vol. 3, No. 7 (Spring): 78-                     81.

                “Mesquite,” Wichita FallsLiterary & Arts Review (Summer 2008): 6-9.

                “The Pleasure of Her Treks,” ConchoRiverReview (Fall 2008): 63-68.

2009        “A Note on Play,” The Blue Rock Review 5 – 1: 55.

 

 

                SHORT STORIES

      

1962        "Blake," The Rectangle.

                "Perfectly Natural," Espejo: 9-11.

      

1966        "London Bridge And Searcy Gassman," Southwest Review (Summer): 272-284.

      

1967        "One-Legged Dancer," Southwest Review (Summer): 274-289.       

 

1969        "Mesquite," Southwest Review (Spring): 175-186.       

 

1972        "But The Daddy Doesn't Get To Cry," Redbook (June): 72-73, 139-140.

      

1974        "Put Her In A Pumpkin Shell," The Bicentennial Collection of Texas  Short Stories, Texas Center For                                             Writers Press: 156-163.

                "Separate Circles,"Skywriting  II-1 & 2: 45-52.  

    

1975        "The Boisterous Invalid," Descant (Winter):  9-19.

                "No Accounting Shall Be Asked," Southwest Review (Spring): 143-156.

                "The Embodiment of the Times," MississippiReview (May): 39-51.

                "At Home In Beretreganutal," AspenLeaves II-1: 47-56.

                "Man On A Utility Pole," Lunar Retorno 7: 19-24.

                "Unfinished Actress, Whittling Her Voice," New & Experimental Literature, Texas Center For Writers                                          Press: 145-149.       

  

1976        "A Couple Of Heroes," The Pawn Review I-1: 17-20.  

    

1979        "A Gift From The Scorched Moon," Partisan Review 2: 223-233.

                "The Leaning Tower Of Babel," Southwest Review (Spring): 162-165.       

1980        "Age Of Aquarius," Cedar Rock (Spring): 25.

                "Night And The Blood Washed Away," Wichita FallsMagazine (May): 32- 33.

                "A Bit Of A Bitch," Vanderbilt Review (Spring): 54-59.

                "The Ghost,"Wichita FallsMagazine Nov.: 46-49.       

 

1981        "Quivering Aspen," The Pawn ReviewV: 55-58.       

 

1982        "In San Miguel A Siren Sang," New MexicoHumanities Review (Summer): 77-85.

      

1983        "Indwelling In Elyrity," New MexicoHumanities Review (Summer): 57- 63.

      

1987        "Friends Off The Square," ConchoRiverReview I-1 (Fall): 27-33.

      

1988        "The Lady In Blue," Duende (Oct.): 32.

      

1989        "The Scapegoat," Blue Mesa Review (Spring), No. 1: 127-139.

      

1991        "Turning The Deer Free," New Texas 91 (Univ. of North Texas): 40-53.

 

1993        “The Scapegoat," rpt. in New Growth 2. ed. by Mark Busby (San Antonio: Corona): 140-152.        

                "Blues For Evening," RiverSedge VII- 2 (Spring): 87-91.

      

1995        "Waiting For Rain,"Texas Short Fiction: A World In Itself, II (Redmond, WA: Ale): 276-283.

                "Brother Bill To His Cousin," New Texas 95, ed. by Kathryn S. McGuire and James Ward Lee (Denton:                                           Center For Texas Studies):  3.

                "Hammer's Home," New Texas 95: 4-5.

                "Papa Writes Pound," New Texas 95: 5-6.

                "Heidegger To Mama, His First Week Away At College," New Texas 95: 6-7.

 

1997        “Patterns Of Illusion,” TexasShort Stories, ed. Billy Bob Hill (Dallas: Browder Springs): 115-128.

 

2000        “The Last Camp Out,” TexasShort Stories 2, ed. Billy Bob Hill and Laurie Champion (Dallas: Browder                                             Springs): 849-861.

                “The Way The World Is,” Descant (Lone Star 2000: Texas Writers Special Issue) 39:1 & 2 (Spring/Fall):                                          116-126.

 

 

                POEMS

      

1962        "Significance," The Rectangle.

                "Cremation," Espejo, Fall. 20.

                "Trembling," Espejo, Fall, 21.

                "Nocturne,"Espejo, Fall, 22.

      

1963        "Sonnet," Espejo, Spring, 56.

      

1964        "November 22, 1963," Southwest Review, Winter, 13-14.       

 

1965        "The Camel," The University (of Kansas) Review, Dec., 1. 

                "Vincent Van Gogh," Et Al, 145

      

1966        "Evening. October. Mid-America," KansasMagazine, 17.

                "Prothalamion," Penny Poems From Midwestern University, Vol. VII, No. 3.

      

 1967       "Song Of Rebecca Calcutta," The Fiddlehead, No. 71 (Spring), 26-27.

               Haiku Poems 1-23, Poetry Review (Univ. of Tampa), No. 10.

                "Fighting For Life," Poet & Critic, Vol. 3, No. 2, 26.

                "Allegory," Poet Lore, Vol. 62, No. 2 (Summer), 120.

                "Matin," Penny Poems From Midwestern University, Vol. VIII, No. 3. 

     

1968        "Chill," Bitterroot, No. 22 (Winter 67/68), 28.

                "The Oppressed," The Smith, No. 8 (Feb.), 175.

                 "To A Young Artist," Poet (Madras, India), March, 45.

                 "Breaking An Indelicate Statue," Beyond Baroque 691, 31.

                 "The Painter," Southern Poetry Review, Fall, 29.

                 "The Split,"South Florida Poetry Journal, Vol. I, No. 2 (Winter), 48.

                 "A Myth For An Unborn Child," South FloridaPoetry Journal, Vol.  I, No. 2 (Winter), 49.

      

1969        "Absolution," Descant, Vol. XIII, No. 3 (Spring), 32.

                "Visiting Day," Descant, Vol. XIII, No. 3 (Spring), 32.

                "Springsound," The Salt Creek Reader, Vol. III, No. 1 (June).

                 "Water & Love: 5 haiku," Sou'wester, Summer, 24.       

 

1970        "The Spinster," South FloridaPoetry Journal, No.'s 4/5 (May), 45.

               "After," The Salt Creek Reader, Vol. III, No. 8 (July).       

 

1971        "By The Riverside Down," The Blackbird Circle, No. 1 (Spring), 8.

              "Conception," The Blackbird Circle, No. 1 (Spring), 9.

                "Reason For Reserve," The Blackbird Circle, No. 1 (Spring), 10.

                "Residue," The Blackbird Circle, No. 1 (Spring), 11.

                "The Prophetess," West Coast Poetry Review, Vol. I, No. 1 (July), 32.

                "Cross Country," Back Door, No. 4 (Fall), 56.

                "Electrical Storm," Karamu, Vol. III, No. 2 (Oct.), 32. 

                "Insomniac," Karamu, Vol. III, No. 2 (Oct.), 66-67.       

 

1972        "&," Beyond Baroque 712, April, 43.

                "Dilations Of Felinity," Beyond Baroque 712, April, 43. 

                "Partial Reunion," (Univ. of Houston) Forum, Vol. 10, No. 2 (Summer-Fall), 15.

                "Beating Out Exile," International Who's Who In Poetry Anthology (London: Melrose Press), 236

      

1973        "Gotterdammerung," Pembroke Magazine, No. 4 (Spring), 87.

"Acervation," The New Breed: An Anthology of Texas Poets (Dallas & DeKalb: Prickly Pear Press), 77.  Also reprinted in this anthology: "Breaking An Indelicate Statue," "The Prophetess," "By The Riverside                              Down," "Partial Reunion," "Song Of Rebecca Calcutta," "Springsound," "Residue."

 

1974        “Running In Place," MississippiReview, Vol. 3, No. 1, 14.

       

1975        "Cosmology 2," Man-Root, No. 10, 60-62.

                "Faces," Big Scream, No. 3, 24.

                "Birth: A Retrospective Analect Commemorating E.P.'s Pouncing On The Sapphic Parchment," Big                                                  Scream, No. 3, 25.

                "Building Light," Big Scream, No. 3, 27.

              "God's Fool's Plainsong," The Blackbird Circle, No.'s 6/7 (Spring),  12.

                 “Lay Me Sleeping Down," Gravida 7, Vol. II, No. 3, n.p.       

 

1976        "Implosion," The Pawn Review, Vol. I, No. 1 (Jan.), 36.

                "Crone Cantering," The Pawn Review, Vol. I, No. 1 (Jan.), 37. 

                "Boneweather," Quartet, Vol. VII, No.'s 51-53, 21.

                "Abandoning Dionysus," Helios, n.s., Vol. 3, 89.

                "A Privileged Nobility," Helios, n.s., Vol. 3, 91.

                "Arabesque," Thought-Patterns In Composition (Englewood Cliffs, NJ: Prentice-Hall), 67-68.

                "Shaper's Counsel," Poetry*Texas, Vol. I, No. 1, 4.

                "Sanctuary," The Texas Slough, Vol. I, No. 2.

                "Offertory," The Texas Slough, Vol. I, No. 2.

                "Getting In Rhythm," Southwest Heritage, Vol. 6, No. 4, 23.  

    

1977        "A Notion Fired From Splittingness," Southwest Heritage, Vol. 7, No. 1, 19.

      

1978        "Keeping Watch," New MexicoHumanities Review, Vol. I, No. 1 (Jan.), 26.

                "Splintering Light," New MexicoHumanities Review, Vol. I, No. 1 (Jan.), 27.

                "Elpenor In Hell," Helios, n.s., Vol. VI, No. 1, 42.

                "Fun*Land," TexasStories & Poems (Dallas: Texas Center For Writers Press), 226-227.

                "Boundaries," TexasStories & Poems (Dallas: Texas Center For Writers Press), 228.

      

1979        "Shaper's Temple," New MexicoHumanities Review, Vol. 2, No. 3  (Fall), 48.

                "Christmas Holidays," Christmas In Texas (Houston: Brown Rabbit Press), 70.

                "Inertia," Christmas In Texas (Houston: Brown Rabbit Press), 72-73.

                "In The Rapids," The Texas Anthology (Huntsville: Sam Houston State Univ.), 148.    

                "Rainbowing The Earth," Images From The High Plains (Canyon, TX: Staked Plains Press), 90.

      

1980        “Patriotism," Vision, June, 7.

                "Archimedes In Andalusia," Sou'wester, Spring, 10. 

                "Shaper On Spring," Vanderbilt Review, Spring, 1-2.

                "Getting Groceries," Vanderbilt Review, Spring, 84.

                "The Rose You Dropped," The Pawn Review, Vol. III, No.'s 1/2, 91.

                "Hungary," Cedar Rock, Summer, 19.

"Sanctuary," World Anthology: A Verse Mosaic By Living Poets  (Urbana, IL: Delora Memorial Fund For World          Brotherhood), 61.

                "Telescoping Winter," The Argonaut, No. 7 (Fall/Winter), 25. 

     

1981        "Period Piece," Cedar Rock, Winter, 16.

                "Distance By Mind, Nerve By Heart," Separate Doors, Vol. 2, No. 1 (Spring), 4.

                "The Primal Fugue," Separate Doors, Vol. 2, No. 1 (Spring), 4.

                "San Sebastian Bay," Separate Doors, Vol. 2, No. 1 (Spring), 4.

                "Shaper's Confession," Vanderbilt Review, Summer, 63.

                "Shaper's Source," Espejo, Vol. XX, No. 1 (Fall), 6-7.

                "Admonishment," Pteranodon, No. 5, 20.

                "Implosion," Washing The Cow's Skull/Lavando La Calavera De Vaca (Fort Worth & Austin: Prickly Pear                                 Press/Studio Hispanica  Editors), 180.

                "Ancient Rhythms," Washing The Cow's Skull, 182.

                "Offertory," Washing The Cow's Skull, 184.

                "Traveling Toward Vengeance By Night," Washing The Cow's Skull, 186.

                "Hailing The Power," Washing The Cow's Skull, 188, 190, 192.

                "Nightwraithing," Telephone, No. 17, 93.

      

1982        "Tiresias, Weaver," Simply A Man Of Letters: Jorge Luis Borges (Orono, ME: University of Maine at                                             Orono Press), 333-334.

                "Barrio de Santa Cruz/Seville," Sulphur River Poetry Review, Vol. III, No. 2 (Winter), 11.

      

1983        “Going To Seed," The Texas Observer, 22 July, 22.

                "The Rector Getting In Shape," The Texas Observer, 22 July, 22. 

     

1984        "Out Of Place, Far From Rain," The Ohio Review, No. 32 (June), 108.

                "In Siena, Before," The Texas Observer, 14 Dec., 77. 

                "At The Brink," The Texas Observer, 14 Dec., 77.       

 

1985        "Sitting At My Large Mexican Desk Which Some Have Said Resembles A Sarcophagus With Drawers,"                                        Cross Timbers Review, Spring 1985, 45.

                "In The Clubhouse," Cross Timbers Review, Spring 1985, 58.

"Meeting The Wire," From Hide And Horn: A Sesquicentennial Anthology of Texas Poets (Austin: Eakin Press), n.p. (entry for 1881).

                "Planting Late," Latitude 30 18', No. 5, 35.

                "Summer Respite: a triptych," Latitude 30 18', No. 5, 36.

                "August," Latitude 30 18', No. 5, 37.

                "Fall Bursting," Latitude 30 18', No. 5, 38.

                "Luneros," Latitude 30 18', No. 5, 39-40.

                "Night In Vienna," Negative Capability, Vol. V, No. 4 (Fall), 126.   

    

1986        "Mandala," Pax, Vol. III, No.'s 1 & 2, 69.

                "A Little Ceremony (Ronda, Spain)," Pax, Vol. III, No.'s 1 & 2, 69.

                "A Roman Whore In The Sistine Chapel," SouthCoastPoetry Journal, No. 1, 35.

                "The Mermaid Rising," Stone Drum, Vol. I, No. 4, 62.

                "Split Papayas," KansasQuarterly, Vol. 17, No. 4, 172. 

                "R. Lowell Had," KansasQuarterly, Vol. 17, No. 4, 172-173.

                "Walking In Heat, Alien To Rain," The Cape Rock, Vol. 21, No. 1(Spring), 44.

                "Skydomed Sanctuary," A.I.D. (American Institute of Discussion) Review, 23.

                "Sappho, Swimming," Latitude 30 18', No. 6 (1986), 41. 

                "A Society Of Birds," Latitude 30 18', No. 6 (1986), 42.

                "Bor Katatomba,"Latitude 30 18', No. 6 (1986), 43.

                “Menhirs Near Carnac," Latitude 30 18', No. 6 (1986), 44.  

                "The Capitoline Athena," Latitude 30 18', No. 6 (1986), 45-46. 

                "Helladic Rite," Xavier Review, Vol. 6, No. 1 (1986), 36-37.

                "Past Me Now The Breezes Ride," The Hampden-Sydney Poetry Review, Winter, 26.

                "White World," The Hampden-Sydney Poetry Review, Winter, 27.       

  

1987        "Palm Sunday (Ronda, Spain)," The South Florida Poetry Review, Winter, 18.

                "The Dying Gaul," International Poetry Review, Spring, 111.

                "Stormwatch," International Poetry Review, Spring, 112. 

                “Naiad,"International Poetry Review, Spring, 112. 

                "When The Deer Ran The Peaks," ConchoRiverReview, Fall, 89.

    

1988        "Trojan Women: Then & Now," Stone Drum, Vol. I, No. 6 (Spring), 8.

                "The Photograph," Stone Drum, Vol. I, No. 6 (Spring), 18.

                "Gnosis," Vortex, Vol. 3 (Fall).

                "Thrown Off Track," Vortex, Vol. 3 (Fall).

                "July," Southwest Review, 71-4 (Autumn), 554-555.

                "Improvisation Before The Introit," Hampden-Sydney Poetry Review, Winter, 24-26.

      

1989        "Endurance," KansasQuarterly, Vol. 20, No. 3, 82.

                "March," The Texas Observer, 24 March, 19.

                "Winter Refrain," Stone Country, Spring-Summer, 21.

                "Oil Field Road Off Clyte Escarpment," The Texas Observer, 15 Sept., 11.

                "Hunting At Night With Matt By Light And By Hand," The Texas Observer, 15 Sept., 11.

                "Cycles," The Texas Observer, 15 Sept., 11.

      

1990        “Joseph And Child," TexasReview, Vol. X, No.'s 3&4 (Fall/Winter 1989), 71.

                "Medea In Taos," Blue Mesa Review, May 1990, 130-131. 

                "Sounion," SouthCoastPoetry Journal, No. 9, 7.

                "June," ConchoRiverReview, Vol. IV, No. 2 (Fall), 105.       

 

1991        “How To Make Coq Au Vin," Grasslands Review, No. 4, 24-25.

                "The Matrix," Epiphany, Winter, 34-35.

                "Halibut Point," Epiphany, Winter, 36.

                "Spring Rite," Epiphany, Winter, 37-38.

                "Flu," Epiphany, Winter, 39-41.

                "November," The Texas Observer, 23 August, 23.

"Note From Lorenzo, After Hearing Friends In The States Are Having Anxiety Fits," The Prose Poem, No. 1, n.p.       

      

1992        "Dust Storm Across The Tigris," RiverSedge, Vol. 6, No. 1, 7-13.

                "Grandfather's Play," RiverSedge, Vol. 1, No. 2.

                "Period Piece," rpt. in Grasslands Review (Fall).

                "Letter From Lorenzo, After Hearing Friends In The States Are Having Anxiety Fits," American Literary                                        Review, Vol. 3, No. 2 (Fall), 102.

                "January," Borderlands, No. 1 (Fall), 36.

 

1993        “Nimrud," TexasCollegeEnglish, N.S. Vol. 26, No. 1 (Fall), 21.

                “April," TexasCollegeEnglish, N.S. Vol. 26, No. 1 (Fall), 21.

      

1994        "Flyfishing," Hellas, Vol. 4, No. 2 (Fall 1993), 69.

                “Emily's Gift," American Literary Review, Vol. 5, No. 1 (Spring): 68-69.

                "Resurrection," American Literary Review, Vol. 5, No. 1 (Spring): 70.

                "Motel," ConchoRiverReview (Spring): 79.

                "Miss Katie," The Texas Observer, 14 October, 23.

                "The Chinese Bridge," The Texas Observer, 14 October, 23.

                "Andalusian Rain," Phase & Cycle, Vol. VII, No. 2 (Fall-Winter),26.

 

1995        "Dove Hunting Each Labor Day," Manoa, VII-1 (Summer), 71-72.

                "Sand Bar On The Tigris," Manoa, VII-1 (Summer), 72-73.

 

1996        “His Final Room,” Manoa, VIII-2 (Winter), 101-102.

                “Vigil And Sleep,” Manoa, VIII-2 (Winter), 102.

 

1997        “Mass Of Trees At Eastham (E. Hopper),” The Prague Revue 4 (Autumn/Winter 1996-97), 144-145.

                “Night In The Park (E. Hopper),” Borderlands, No. 9 (Spring/Summer): 47.                             

                “Moonlight Interior (E. Hopper),” Borderlands, No. 9 (Spring/Summer): 48.

                “Anniversary Trip,” Blue Mesa Review,

 

1998        “Shifts of Perception,” Troubadour, I—2 (Spring/Summer): 49.

                “Naiad,” Hawai’iReview 21.1: 180. 

                “Carolina Morning (E. Hopper),” Crab Creek Review, XI1: 87.

                “Golden Crown,” The Texas Observer,19 June: 25.

                “Approaching A City (E. Hopper),” Manoa, 10:1 (Summer): 17.

                “Chair Car (E. Hopper),” Manoa, 10-1 (Summer): 18.

                “At First, A Bewildering Chill,” Suddenly: 16.

                “One Table Over, I Heard Her Say,” Suddenly: 17.

                “Snake,” Suddenly: 18.

                “Storm Watch,” Clackamas Literary Review II-2 (Fall): 103.

                “Sea Watchers (E. Hopper),” Clackamas Literary Review II-2 (Fall): 104.

 

1999        “The City (E. Hopper),” Windhover III (Spring): 44.

                “Freight Cars, Gloucester (E. Hopper),” Windhover III (Spring): 45.

                “Italian Quarter, Gloucester (E. Hopper),” Windhover III (Spring): 46.

                “Two Comedians (E. Hopper), Janus Head I-3 (Spring): 297.

                “Nighthawks (E. Hopper),” Janus Head I-3 (Spring): 298.

                “Acrophobia,” Roundup: An Anthology of Texas Poets From 1973 until 1998, ed. by Dave Oliphant. Cedar                                                 Park: Prickly Pear: 94-95.    

                “Rooms By The Sea (E. Hopper), ” Faultline, No. 8: 38.

                “May,” TexasPoetry Calendar 2000 (Fredericksburg: Flying Cow Productions, 1999): n.p.

                “The Pond Across The Street,” Suddenly II: 11.

                “Doorways In Seville,” Suddenly II: 12.

                “Acrophobia,” Chaminade Literary Review, No.’s 20 & 21: 85-86.

                “Alfresco,” Janus Head 2-2: 359.

                “Lying Indolent At The Squall Line,” Janus Head 2-2: 360.

                “Spring In Chihuahua,” Janus Head 2-2: 360-361.

                “Living In Ambiguity,” New Texas ‘99: 176.

                “Chameleon, Sounding Summer’s Heat,” New Texas ‘99: 176.

 

2000        “East Wind Over Weehawken (E. Hopper),” The Cape Rock 32-2 (Fall 1997): 12.

                “Short Letter From Northern Iraq,” Suddenly III: 97.

                “Rain In A Sunlit Sky In Havana,” Suddenly III: 98.

                “A Matter Of Translation,” Suddenly III: 99-100.

“Storm Watch,” rpt. in A Writer’s Country, ed. by Jeff Knorr and Tim Schell (Upper Saddle River, NJ: Prentice-Hall): 141.

                “Sandstorm,” Fort Worth Star-Telegram 10 Sept.: E8.

                “Weathers,” Fort WorthStar-Telegram 10 Sept.: E8.

                “Mid-June, Morning Run,” Fort Worth Star-Telegram 10 Sept.: E8.

                “Outside The Public Library,” Fort Worth Star-Telegram 10 Sept.: E8.

                “Riposte,” Image: A Journal of the Arts & Religion, No. 27: 41-42.

                “Church of San Esteban (E. Hopper),” Image: A Journal of the Arts & Religion, No. 27: 42-43.

                “Sun In An Empty Room (E. Hopper),” Image: A Journal of the Arts & Religion, No. 27: 43-44.

                “Skiing The Bayou,” Tex!  3:1 (Fall/Winter): 23.

                “Wild Honey,” Tex! 3: 1 (Fall/Winter): 23.

                “Louisiana Dawn,” Clackamas Literary Review IV: 11 (Fall/Winter): 138.

                “Ranch Walk,” The Lucid Stone 24 (Winter): 13.

                “High Noon (E. Hopper),” New Texas 2000: 258.

                “Hotel Window (E. Hopper),” English In Texas (Fall/Winter) 30-2: 42.

                “Seven A.M. (E. Hopper),” English In Texas (Fall/Winter) 30-2: 42.

                “Room In Brooklyn (E. Hopper), English In Texas (Fall/Winter) 30-2: 42.

                “Doorways In Seville,” English In Texas (Fall/Winter) 30-2: 43.

                “Springburst,” English In Texas (Fall/Winter) 30-2: 43.

                “Moving Into The Climb,” English In Texas (Fall/Winter) 30-2: 43.

 

2001        “Training Ride,” Aethlon XVII-2: 100.

                “Mysteries Of Attachment,” 2001: a di-verse-city Odyssey (Austin International Poetry Festival                                                      Anthology): 39.

                “Parallel Wiring,” Suddenly, No. 4: 103.

                “Points Of Resistance,” Suddenly, No. 4: 104.

                “Running The Peaks Of The Moon,” Suddenly, No. 4: 105-106.

 

2002        “The Draw Of Darkness,” The Windhover VI: 39.

                “Twilight,” The Windhover VI: 40.

                “Redtail Hawk,” New Texas 2001: 36.

                “Spring Storms,” New Texas 2001: 36.

                “A Norther Approaching,” Texas: Houston Chronicle Magazine, 17 March: 12.

                “Shifting Seasons In Chihuahua,”Iron Horse Literary Review 3-2: 3.

                “Breaking The Ice,” Descant 41: 94-95.

Texas In Poetry 2, ed. by Billy Bob Hill (Ft. Worth: TCU Press, 2002): “Anniversary Trip” 173-174; “Dove Hunting Each Labor Day” 47-49; “Eye of the Tornado” 411-413; “November” 83; “Oil Field Road Off Clyte Escarpment” 110-111.

                “A Rite of Confession,” Southwest Review 87: 2&3: 267.

                “English Wit,” New Texas 2002: 189.

                “The Breath Of God,” Indianapolis: Colla Voce. Anthem, music by James Mulholland.

                “Afternoon, Late May,”  Windhover 7: 164.

                “The Voice of the Night,” Windhover 7: 165.

 

2003        “The River On Us,” Suddenly 5: 99.

                “Domestic Diversion,” Descant 42: 38.

 

2004        “Wearing The River,” Is This Forever, Or What? Ed. Naomi Shihab Nye. New York: Greenwillow   

                                 Books / HarperCollins, 2004: 55.

                “Evening Wind (E. Hopper),” Langdon Review of the Arts in Texas, Vol. 1: 25.

                “Four Lane Road (E. Hopper),” Langdon Review of the Arts in Texas, Vol. 1: 26.

                “Eleven A.M. (E. Hopper),” Langdon Review of the Arts in Texas, Vol. 1: 27.

                “Cape Cod Evening (E. Hopper),” Langdon Review of the Arts in Texas, Vol. 1: 28.

                “Sunlight in a Cafeteria (E. Hopper),” Langdon Review of the Arts in Texas, Vol. 1: 29-30.

                “Office in a Small City (E. Hopper),” Langdon Review of the Arts in Texas, Vol. 1: 31.

 

2005        “When Even One Is Hit,” Janus Head 7(2): 488.

                “Dome And Faucet: A Ghazal,” Janus Head 7(2): 489.

                “Once, In Downtown Mosul,” Janus Head 7(2): 490.

                “Winnowing Wheat,” Janus Head 7(2): 491.

                “On The Edge At Sounion,” Janus Head 7(2): 492.

“Touching Different Worlds,” di-verse-city (anthology of the Austin International Poetry Festival 2005:

 39.

                “Sky Over Knossos,” Windhover, Vols. 9 & 10 (2006): 258-259.

                “Susanna And The Elders, Windhover, Vols. 9 & 10 (2006): 260.

 

2006

 

“Nineveh, On Fire Again,” Harvard Review, No. 32: 17.

“House By The Railroad (E.Hopper on his 1925 oil),” Descant, vol. 46: 48.

                rpt. of “Anniversary Trip,” in A Students’ Treasury of Texas Poetry, ed. Billy Bob Hill (Ft. Worth:

                                TCU Press, 2007):102-103.

                rpt. of “November,” inA Students’ Treasury of Texas Poetry, ed. Billy Bob Hill (Ft. Worth:

                                TCU Press, 2007): 117.

 

2008        “A Terror Fills The Air,” The Dirty Goat, No. 18: 1. 

“Locomotive, D. & R.G. (Edward Hopper on his 1925 watercolor),” The Dirty Goat, No. 18: 2.                

                 “City Sunlight (Edward Hopper on his 1954 oil),” The Dirty Goat, No. 18: 3.    

                 “Memories of Mosul: A Ghazal,” The Seventh Quarry (Swansea, Wales), No. 7: 27-28.       

                 “Soon After Rain: A Pantoum,” Cutthroat: A Journal of the Arts, Vol. 4, No. 1 (Spring).

                  “A Clown Show In The Sky,” Slant: A Journal of Poetry, Vol. XXII (Summer):  39.

                “The Old Model,” Articulate (The Blanton Museum of Art Magazine), Summer: 11.

                “Hotter’n Hell Hundred,” TexasPoetry Calendar 2009. Ed. Scott Wiggerman and Cindy Huyser  (Austin:                                     Dos Gatos Press, 2008), n.p.

                “Father-Son Talk: A Ghazal,” Southwestern American Literature, Vol. 33, No. 2 (Spring): 109.

                “Summer Evening: Edward Hopper on his 1947 oil),” Southwestern American Literature, Vol. 33, No. 2                                           (Spring): 110.

“Night On The El Train: Edward Hopper on his 1920 etching),” Southwestern American Literature, Vol.                                         33, No. 2 (Spring): 111.

“This Alien Place Called Home,” Two Southwests, ed. by Steven Schroeder et al.: 42.

“Anniversary Trip,” rpt. in Two Southwests, ed. by Steven Schroeder et al.: 44.

“Red-tailed Hawk,” rpt. in Two Southwests, ed. by Steven Schroeder et al. 85.

“May,” rpt. in Big Land, Big Sky, Big Hair: Best of The Texas Poetry Calendar. Ed. Scott Wiggerman. 

                Austin: Dos Gatos, 179.

“Leaving The Lincoln Memorial,” ConchoRiverReview (Fall 2008): 104-105.

 

2009        “A Curious Man: (Robert Hooke, 1635 – 1703)” The Seventh Quarry. No. 9: 21.

                “Dark Drifting Clouds,” Wichita FallsLiterary and Arts Review (Spring): 70.

                “ First Freeze,” Wichita FallsLiterary  and Arts Review (Spring): 71.

                “A Finely Cold Will: Artemisia Gentileschi’s oil, “Judith Slaying Holofernes,” c. 1620.” Borderlands, No.                                        32 (Spring/Summer): 36.

                “The Spears of Zeus,” New Texas: 13.

                “Seasonal Changes,” New Texas: 14.

                “Bull Riding At The Atkeison’s Ranch,” The Blue Rock Review 5-1: 54.

 

2010        “The Sensual Miracle (Artemisia Gentileschi’s oil, Madonna and Child, c. 1609),” WFLAR Wichita Falls                                        Literary and Art Review Winter 2010: 38.

                “God’s Mystery,” Windhover: 42.

                “New Music In The Air,”  Windhover: 59.

               

ANTHEMS, S0NGS, etc.

 

                “The Breath of God,” music by James Mulholland. Ft. Worth: University Christian Church, 29 Sept. 2002.

                “The Lord Is Near,” music by Kiyo Watanabe. Wichita Falls: 1^st United Methodist Church, 9 Jan. 2005.

                “Earth and Wind,” music by Kiyo Watanabe. Wichita Falls: 1^st United Methodist Church, 25 Sept. 2005.

“Alive With God,” music by Kiyo Watanabe. Wichita Falls: Floral Heights United Methodist Church, 23

Oct. 2005.

                “This Sanctuary,” music by Kiyo Watanabe. Wichita Falls: 1^st United Methodist Church. spring.

                             “Guide Me To The Cross,” music by Kiyo Watanabe: Wichita Falls: 1^st United Methodist Church, 5 Nov. 2006. Choral Response.

“The Presence of God,” music by Kiyo Watanabe. Wichita Falls: 1^st United Methodist Church, 26 Nov.  2006.

 “When We’re At Sea,” music by Kiyo Watanabe. Wichita Falls: 1^st United Methodist Church, 11 Feb.            2007.

Three Songs:  “Grandfather’s Play,” “Miss Katie,” “How To Make Coq au Vin,” music by Dan Welcher, Texas Composers Concert. Richardson: University of Texas at Dallas, 4 April 2007.

                            “The Voice Within Us,” music by Kiyo Watanabe. Wichita Falls: 1^st United Methodist Church, 3 June 2007.

                            “The Blessings of the Morning,” introit, music by Kiyo Watanabe. Wichita Falls: 1^st United Methodist Church, 24 June 2007.

                “God’s Mystery,” music by Kiyo Watanabe. Wichita Falls: 1^st United Methodist Church, 24 June 2007.

“Singing In The Mystery,” music by Kiyo Watanabe. Chapel Choir. Wichita Falls: 1^st United Methodist 

            Church, 7 Oct. 2007.

“Our Rains and Droughts,” music by Kiyo Watanabe. Chancel Choir. Wichita Falls: 1^st United Methodist

              Church, 28 Oct. 2007.

                “The Lord With Us,” music by Kiyo Watanabe. Adult choir, 1^st United Methodist Church, Jacksboro, TX,

                                18 Nov. 2007. Commissioned.

“New Music In The Air,” music by Kiyo Watanabe. Kristen Gossett and Ann Clarkson. 1^st United

                Methodist Church, Wichita Falls, TX, 25 November 2007.

                “The Simpler Things,” music by Kiyo Watanabe. Choir with string quartet. 1^st United Methodist Church,                                        Wichita  Falls, TX, 27 January 2008.

                “The Thousand Ways,” music by Kiyo Watanabe. Chancel Choir. Wichita Falls: 1^st United Methodist                                            Church, 27 April 2008.

                “Again And Yet Again,” music by Kiyo Watanabe. The Chamber Singers, Wichita Falls: 1^st United                                                  Methodist Church, 4 May 2008.

                “The Lord With Us,” music by Kiyo Watanabe.  Chancel Choir, Wichita Falls: 1^st United Methodist                                                 Church,  8 June 2008.

“With Them By The Manger,” music by Kiyo Watanabe. Trinity, Wesley, Chapel and Chancel choirs, and                                    handbells, Wichita Falls: 1^st United Methodist Church, 7 Dec. 2008.

“The Joy God Gives,” music by Kiyo Watanabe (Ann Clarkson, soprano; Gail Key, violin. Wichita Falls:                                        1^st United Methodist Church,  4 January 2009.

“Bells Ring As We Sing,” music by Kiyo Watanabe, Chancel and Chapel choirs . Wichita Falls: 1st United                    Methodist Church,, 6 December 2009.

 

 

 

 

 

                TRANSLATIONS

      

1977        "Ocular Landscape," trans. of Paisaje ocular by Oscar Hahn, Sam Houston Literary Review, Vol. II, No. 2                                     (Nov.): 15.       

 

1979        “The Drunk," trans. of El emborrachado by Oscar Hahn, Latin American Literary Review, Vol. VI, No. 11:                    115.

                 "Primal Force," trans. of El viviente by Oscar Hahn, Latin American Literary Review, Vol. VI, No. 11:                                             116.

                 "Doves Of Peace," trans. of Palomas de la paz by Oscar Hahn, Latin American Literary Review, Vol. VI,                                      No. 11: 116-117. 

               "Don Juan," trans. of Don Juan by Oscar Hahn, Latin American Literary Review, Vol. VI, No. 11: 117-                                             118.

"Geometric Water," trans. of Agua geometrica by Oscar Hahn, Latin American Literary Review, Vol. VI, No. 11: 118.

               "Conjurer's Tract," trans. of Tractatus de sortilegiis by Oscar Hahn, Alembic, No. 4: 35.

               "Perpetual Motion," trans. of Movimiento perpetuo by Oscar Hahn,Alembic, No. 4: 36.

               "Boxing Ring," trans. of Cuadrilatero by Oscar Hahn, Alembic, No. 4: 38.

                 "Adolph Hitler Meditates On The Jewish Problem," trans. of Adolfo Hitler medita en el problema judio by                  Oscar Hahn, Alembic, No. 4: 39.

 "The Butchers' Reincarnation," trans. of Reencarnación de los carniceros by Oscar Hahn, Alembic, No. 4: 40.

                 "The Little Angel's Wake," trans. of Velorio del angelito by Oscar Hahn,Alembic, No. 4: 42-43.

                  "In Such A Way My Reason Weakens," trans. of De tal manera mi razon enflaquece by Oscar Hahn,                          Alembic, No. 4: 43.       

 

1980         "The Shoeshine-Boy's Go-Between," trans. of Correveidile del  lustrabotas by Oscar Hahn, Cedar Rock,                                                    Spring, 18.  

                 "Vision of Hiroshima," trans. of Visión de Hiroshima by Oscar Hahn, Stardancer, No.'s 5/6: 85-86.

                  "Either Blood's Snow Or Snow's Blood," trans. of  O purpura nevada o nieve roja by Oscar Hahn, in                                            Stardancer, No.'s 5/6: 86.

      

1981        "Adolph Hitler Meditates On The Jewish Problem," reprinted in Anthology of Magazine Verse & Yearbook                                 of American Poetry  (Beverly Hills, CA: Monitor Book Co.): 174.

      

1982        "Photography," trans. of Fotografia by Oscar Hahn, Stone Country, Vol. 9, No.'s 1/2 (Fall/Winter): 36.

                 "Birth Of The Phantom," trans. of Nacimiento del fantasma by Oscar  Hahn, Puerto Del Sol, Summer: 99.

                 "Phantom In The Form Of A Shirt," trans. of Fantasma en forma de camisa by Oscar Hahn,Puerto Del                                         Sol, Summer: 101.       

 

1983         "Cleopatra," trans. of Cleopatra by Salvador Diaz Miron, The TexasObserver, 22 July, 22.

                 "At One My Fortune, At Two Your Watch," trans. of A la una mi  fortuna, a las dos tu reloj by Oscar                                           Hahn, Mundus Artium, Vol. XIV, No. 1: 24.

                 “Good Night Dear,” trans. of Buenas noches hermosa by Oscar Hahn, Mundus Artium, Vol. XIV, No. 1:                                         25.

                 "Commemoration," trans. of Conmemoración by Salvador Diaz Miron, Xavier Review, Vol. 3, No. 1: 14.

     

1984         "Phantom Shaped Like A Cover," trans. of Fantasma en forma de funda by Oscar Hahn, The Texas                                                Observer, 14 Dec.: 77.       

 

1985        "Comet," trans. ofCometa by Oscar Hahn, New Letters, Vol. 51, No. 4 (Summer): 109.

"The Flaming Corpse," trans. of El muerto en incendio by Oscar Hahn,  New Letters, Vol. 51, No. 4 (Summer): 109-110.       

 

1987        "Miss Rebecca," trans. of La senorita Rebecca by Jorge Diaz Herrera,  in From The Threshold:                                                        Contemporary Peruvian Fiction in Translation, ed. Luis Ramos-Garcia and Luis Fernando Vidal                                     (Austin &  Lima:       Studia Hispanica): 77-79.

             "Someone Crosses The Street," trans. of Alguien cruza la calle by  Santiago Mereno Acevedo, in From The                   Threshold: Contemporary Peruvian Fiction in Translation: 123-124.

             "Maida Sola," trans. of Maida Sola by Fernando Ampuero, in From The Threshold: Contemporary Peruvian                                 Fiction in Translation: 193-194.

              "Flat Blue," trans. of Barbara azul by Oscar Hahn, in International  Poetry Review, Spring: 27.

                "The Center of the Bedroom," trans. of El centrodel dormitorio by Oscar Hahn, in International Poetry                       Review, Spring: 29.

                "Consumer Society," trans. of Sociedad de consumo by Oscar Hahn, in International Poetry Review,                                            Spring: 3l.

                "The Warrior's Rest," trans. of El reposo de guerrero by Oscar Hahn, in International Poetry Review,                                           Spring: 3l.

"That Will Be All," trans. of Eso seria todo by Oscar Hahn, in Crosscurrents (Literary Olympians II Anthology): 469.   

                "Places Are Neither Here Nor There," trans. of Ningun lugar esta aqui o esta ahi by Oscar Hahn, in                               Crosscurrents (Literary  Olympians II) Anthology: 471.

      

1989        "To Countless Heroes," trans. of A los heroes sin nombre by Salvador Diaz Miron, in The Texas Observer                                     28 April: 8.

                "Baroque Body," trans. of Cuerpo barroco by Julio Ortega, in StoneCountry, Spring-Summer: 23.

                "Fragments Of Heraclitus To Hurl Against The Sky," trans. of Fragmentos de Heraclito al estrellarse                                            contra el cielo by Oscar Hahn, in Vortex IV-V, Affinities section: "Windows of Translation": n.p.

               "For Eduardo Ordonez," trans. of A Eduardo Ordonez by Julio Ortega, in Vortex IV-V, Affinities section:                                        "Windows of Translation":  n.p.

      

1990        "History Class," trans. of Clase de Historia by Tino Villanueva, in The Texas Observer, 16 Sept.: 15.

      

1991        "The Errand," trans. of El mandado by Tino Villanueva, in RE: Arts & Letters, Vol. XVII-1 (Spring): 118,                                          120.

"In The Chiaroscuro of the Years," trans. of En el claroscuro de los aZosby Tino Villanueva, in RE: Arts & Letters, Vol. XVII-1 (Spring): 122.

              "Spirit's Ecology," trans. of Ecología del espiritu by  Oscar Hahn, in Colorado Review, n.s. Vol. VIII, No. 1                       (Spring/Summer): 85.

                "Southern Pier," trans. of Embarcadero del sur by Julio Ortega, in The Texas Observer, 23 August: 23.

 

1992        "John Lennon (1949-1980)," trans. of John Lennon (1949-1980) by Oscar Hahn, in Literary Olympians                                         1992 (Boston: Ford-Brown & Co.): 45.

 "Danger," trans. of Peligro by Enrique Jaramillo-Levi, in Literary Olympians 1992 (Boston: Ford-Brown & Co.): 179.

 

                "Song To Eat Fish By," trans. of Canción para comer pescado by Julio Ortega, in Literary Olympians 1992                                 (Boston: Ford-Brown & Co.): 184.

              "Nicaragua," trans. ofNicaragua by Hector Manjarrez, inManoa,Vol. 4, No. 2 (Fall): 143-150.

 

1993      "You, If No One Else," trans. of Tú, por si no otro by Tino Villanueva, in TriQuarterly 86 (Winter                                      1992/93): 92.

                "Promised Lands," trans. of Tierras prometidas by Tino Villanueva, in TriQuarterly 86 (Winter 1992/93):                                         93-95.

                "Convocation Of Words," trans. ofConvocación de palabras by Tino Villanueva, in TriQuarterly 86                                             (Winter 1992/93): 96-97. 

"Visions Of Saint Narcissus," trans. of Visiones de San Narciso by Oscar Hahn, in Xavier Review, Vol. 13, No. 1: 62.       

 

1994        "The Bongo," trans. of El bongo by Carlos Salazar Herrera, in Costa Rica: A Traveler's Literary                                                      Companion, ed. by Barbara Ras (SanFrancisco: Whereabouts Press): 81-84.

                "The Carbonero," trans. of El carbonero by Carlos Salazar Herrera, in Costa Rica: A Traveler's Literary                        Companion, ed. by Barbara Ras (San Francisco: Whereabouts Press): 101-109.

“From Deeper Than Skin," trans. of Más abajo de la piel by Abel Pacheco, inCosta Rica: A Traveler's Literary Companion, ed. by Barbara Ras (San Francisco: Whereabouts Press): 136-146.

                "Vicente Huidobro, Marian Poet," trans. of Vicente Huidobro, poeta mariano (from Texto sobre texto), in                     Xavier Review, Vol. 13, No. 2 (Fall 1993): 67-73.

                "Big Tears," trans. of Para llorar by Rafael Pérez Gay, inPyramids of Glass: Short Fiction From Modern                                     Mexico, ed. by David Bowen (San Antonio: Corona): 54-60.

 

1995        “In The Chiaroscuro Of The Years,” trans. of En el claroscuro de losaZosby Tino Villanueva, in                                                     Massachusetts Review, XXXVI-4 (Winter 1995-96): 651.

“I Only Know That Now,” trans. of Sólo sé que ahora by Tino Villanueva, in Massachusetts Review, XXXVI-4 (Winter 1995-96): 653.

 

1996        “A Private Song For A Summer Afternoon,” trans. of Canto intima de la tarde veraniega by Raúl Mesa, in                  Graham House Review, No.19 (Winter 1995-96): 70.

“Julio Cortázar In Communicant Worlds,” trans. of Julio Cortázar en los mundos comunicantes by Oscar Hahn, in The Prague Revue, No.2, (Winter 1996): 31-40.

“To A Santiago Washerwoman,” trans. of A una lavandera de Santiago  by Oscar Hahn, in Two Lines (Spring): 75.

                “Of Candles And Lilies,” trans. of De cirios y de lirios by Oscar Hahn, in Two Lines (Spring): 77.

                “A Crow’s Or Buzzard’s Get,” trans. Of Descendiente de cuervo o gallinazo by Oscar Hahn, in Two Lines                                     (Spring): 79.          

                “A Pensive Drowned Man Sometimes Sinks,” trans. of “Un ahogadopensativo a veces desciende by Oscar                                 Hahn, in Americas Review.

                “Evening Meditation,” trans. of Meditación al atardecer by Oscar Hahn, in Manoa, Vol. 8, No. 2                                                    (Summer): 42-43. 

                “Expulsion From Paradise,” trans. of La expulsión del Paraíso by Oscar Hahn, in Manoa, Vol. 8, No. 1                                           (Summer): 43.       

                “Seated Figure, Chin In Hand,” trans. of Figura sentada con lasmanos en la barbilla by Oscar Hahn, in                                        Manoa, Vol. 8, No. 1 (Summer): 44.

                “Hourglass,” trans. of Reloj de arena by Oscar Hahn, in Manoa, Vol. 8, No. 1 (Summer): 44.

                “Limitation Of Nocturnal Displacements,” trans. of Restricción delos desplazamientos nocturnos by Oscar                                   Hahn, in Manoa, Vol. 8, No. 1 (Summer): 45.

 

1997        “Praying Mantis,” trans. of La mantis religiosa by Oscar Hahn, inACM (Another Chicago Magazine)No.’s                                                 32/33 (Spring & Summer: 143.

“‘The Annunciation’ According To Fra Angelico,” trans. of “La annunciación’” según Fra Angelico (s.                                      SV), Exchanges No.9 (Fall): 88.

                “Crippled Sonnet,” trans. of Soneto manco by Oscar Hahn,Exchanges No. 9 (Fall): 90.

“Heartbreak Hotel,” trans. of Hotel de las nostalgias by Oscar Hahn, Piedmont Literary Review, Vol. XXI, No. 1: 9.

                “In The Chiaroscuro of the Years,” trans. of En el claroscuro de losaZosby Tino Villanueva, in El Coro: A                                   Chorus of Latino and Latina Poetry, ed. By Martín Espada. Amherest: U of Massachusetts P,                                         1997: 149, 151.

“I Only Know That Now,” trans. of Sólo sé que ahora by TinoVillanueva, in El Coro: A Chorus Of Latino and Latina Poetry, ed. By Martín Espada. Amherst: U of Massachusetts P, 1997: 153.

 

1998        "Old Year 1973,” trans. of AZo viejo 1973by Oscar Hahn, in Two Lines, Spring: 97.

                “Oral Hygiene,” trans. of Higiene bucal by Oscar Hahn, in Two Lines, Spring: 99.

                “May Memory Protect Me,” trans. of Que me valga la memoria by TinoVillanueva, in Verse, Vol. XV,                                             No.’s 1&2: 219.

 

1999        “Litany For A Dead Poet,” trans. of Letanía para un poeta difunto by Oscar Hahn, in Clackamas Literary                                    Review III-1: 5.

                “Rocking Chair,” trans. of Silla mecedora by Oscar Hahn,  in Clackamas Literary Review III-1: 7

                “Sigmund Freud Under Hypnosis,” trans. of Sigmund Freud bajo hipnosis by Oscar Hahn,  in Clackamas                                    Literary Review III-1:                          9.            

                “At The Nudist Beach Of The Unconscious,” trans. of En la playa nudista del inconsciente by Oscar Hahn,                                                in ClackamasLiterary Review III-2: 11.

                “This Candle Burns,” trans. of Enciende esta vela by Osvaldo R. Sabino, in Clackamas Literary Review:                                      III:2: 13.

                “Chameleon Posing With A Passport,” trans. of Pose de camaleón con pasaport by Osvaldo R. Sabino, in                                    Clackamas Literary Review III-1: 15

                “Incomprehension Of The Interior Landscape,”trans. of Incomprehensión del paisaje interior by Osvaldo                                   R. Sabino, in Clackamas Literary Review III-1: 17.

“She’s Afraid And Believes In Her Dreams,” trans. of Tiene miedo y cree en sus sueZos by Osvaldo R. Sabino,  inClackamas Literary Review III-1: 19.

 

2000        “I Only Know That Now,” trans. of  Sólo sé que ahora by Tino Villanueva, in  Prentice—Hall Literature:                     Timeless Voices, Timeless Themes: Platinum (Upper Saddle River, NJ: Prentice-Hall): 973.

                “While The Rain Lasts,” trans. of Mientras la lluvia dure by Felipe Hernández, in Icarus I-1 (Spring): 78.

                “Waking Up,” trans. of Despertar by Felipe Hernández, in Icarus I-1 (Spring): 80.

                “At The Edge Of The City,” trans. of En la frontera de la ciudad by Felipe Hernández, in Icarus I-1

(Spring): 82.

                “I Was Baptized,” trans. of Fui bautizado by Felipe Hernández, in Icarus I-1 (Spring): 84.

                “Sometimes A Bandit,” trans. of A veces un bandido by Felipe Hernández, in Icarus I-1 (Spring): 86.

                “He’s In The Middle Of The Garden,” trans.of En medio del jardín está by Felipe Hernández, in Icarus I-1                                     (Spring): 88.

                “I’ve Lost Her,” trans. of La he perdido by Felipe Hernández, in Icarus I-1 (Spring): 90.

                “Whorehouse Lore,” trans. of Fabula del lenocinio by Oscar Hahn, in Mississippi Review 28-3: 24-25.

                “Flora and Fauna,” trans. of Flora y fauna by Oscar Hahn, in Mississippi Review 28-3: 26-27.

“Convocation of Words,” trans. of Convocación de palabras by Tino Villanueva, in The Multilingual Anthology of American Literature, ed. Marc Shell and Werner Sollors (New York: New York UP, 2000): 681, 683.

 

2001        “History Class,” trans. of Clase de historia by Tino Villanueva, in American Diaspora: Poetry of                                                    Displacement, ed. Virgil Suárez and Ryan G. Van Cleave, U of Iowa P: 100-103.

                “You, If No One Else,” trans.of Tú, por si no otro by Tino Villanueva, in American Diaspora: Poetry of                                          Displacement, ed. Virgil Suárez and Ryan G. Van Cleave, U of Iowa P: 178-179.

 

2003        “Bone,” trans. of Hueso by Oscar Hahn, in World Literature Today Magazine (April–June): 30.

                “Spiders,” trans. of AraZasby Oscar Hahn, in World Literature Today Magazine (April–June): 30.

                “Violin,” trans. of Violín by Oscar Hahn, in World Literature Today Magazine (April–June): 30.

“Self-Portrait by Van Gogh,” trans. of Autorretrato de Van Gogh by Oscar Hahn, in Arts & Letters 9 (Spring):  143+.

                “The Mourner,” trans. of El doliente by Oscar Hahn, in Arts & Letters 9  (Spring): 147.

“Death’s A Good Teacher,” trans. of La Muerte es una buena maestra by Oscar Hahn, in Arts & Letters 9 (Spring): 149+.

                “The Exorcist,” trans. of El exorcista by Oscar Hahn, in Tameme I-3 (Reconquest): 85.

“Despair,” trans. of Desesperanza by Lourdes Arencibia Rodríguez, in Southern Humanities Review 37-2: 160.

 

2004        “The Encounter,” trans. of El encuentro by Oscar Hahn, in Poetry East 52: 43.

                “The Body Asks The Soul,” trans. of El cuerpo le pregunta al alma by Oscar Hahn, in Chelsea 76: 130.

                “Cello,” trans. of Cello by Oscar Hahn, in Chelsea 76: 131.

                “Looking Through The Window,” trans. of Mirando por la ventana by Oscar Hahn, in Chelsea 76: 132.

“Notes In Rimbaud’s Diary,” trans. of Anotaciones en el diario de Rimbaud by Oscar Hahn, in Harvard Review 27: 58-59.

 

2005        “August Song,” trans. of Canción de Agosto by Oscar Hahn, in Words Without Borders February.

“Good Night Dear,” “Little Phantoms,” “Candlelight Dinner,” trans. of three poems by Oscar Hahn, in The Poetry of Men’s Lives: An International Anthology, ed. by Fred Moramarco and Al Zolynas (Athens and London: U of Georgia P, 2005): 161-163.

                “Wedding Album,” trans. of Álbum de matrimonio by Oscar Hahn, in Harvard Review 28: 122.

                “The Insects’ Wisdom, trans. of Sabiduría de los insectos by Oscar Hahn, in Harvard Review 28: 123.

 

2006        “Milky Way,” trans. of Vía láctea by Oscar Hahn, in Mantis, a Journal of Poetry, Criticism and     Translation (Stanford), No. 5: 33.

“A Naked Passion’s Ritual Dance,” trans. of Danza ritual de una pasión encuera by Lourdes Arencibia Rodriguez, in New Laurel Review (New Orleans), Vo. XXIII.

 

2007        “Weather Report,” trans. of Meteorologico informe by Oscar Hahn, in Words Without Borders, March.

                “Secretary of State,” trans. of Secretario de estado by Oscar Hahn, in Words Without Borders, March.

“Fantasy in Black and White,” trans. of Fantasia en negro y blanco by Oscar Hahn, in Words Without Borders, March.

                “After Goodbye,” trans. of Después del adios by Oscar Hahn, in Hofstra Hispanic Review 3.1: 103.

                “The Dreamer,” trans. of El soñador by Oscar Hahn, in Hofstra Hispanic Review 3.1: 104.

                “Ars poetica,” trans. of Arte poética by Oscar Hahn, in Hofstra Hispanic Review 3:1: 105.

                “Thread,” trans. of Hilo by Oscar Hahn, in The Dirty Goat, No. 17:  7.

“Autobiography of the Unconscious,”trans. of Autobiografía del insconsciente by Oscar Hahn, in The                        DirtyGoat, No. 17: 9, 11.

                “Man With An Umbrella,” trans. of Hombre con quitasol by Oscar Hahn, in The Dirty Goat, No. 17: 13.

                “The Glass,” trans. of  La Copa by Gabriela Mistral (1889-1957), in Poéticas de Chile / Chilean Poets

                                on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007):50.

                “Ars Poetica,” trans. of  Arte Poética by Vicente Huidobro (1893-1948), in Poéticas de Chile / Chilean                                           Poets on the Art of Poetry,  ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 53.

                “The Drunk Death,” trans. of  La muerte ebria by Julio Barrenechea (1910-1979), Poéticas de Chile /                                               Chilean Poets on the Art of Poetry, ed. by Gonzalo      Contreras (Santiago: Etnika, 2007): 78.

                “Self-Portrait,” trans. of  Autorretrato by Alfonso Alcalde ( 1921-1992), Poéticas de Chile / Chilean Poets

                                on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 110-111.

                “Why Do You Write?” trans. of ¿Por qué escribe usted? by Oscar Hahn (1938-), Poéticas de Chile /                                              Chilean Poets on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 149.

                “It All Changes,” trans. of Cambia todo cambia by Julio Numhauser (1939-), in Poéticas de Chile / Chilean                                 Poets on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 153.

                “Black Light,” trans. of Luz negra by Eduardo Carrasco (1940-), in Poéticas de Chile / Chilean                                                         Poets on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 157.

“In The Days That Run,” trans. of En los días que corren by Federico Schopf (1940--), in Poéticas de                                             Chile/ Chilean Poets on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 161.

                “To Err Is Human,” trans. of  Errare humanum est by Álvaro Peña (1943 --), in Poéticas de Chile / Chilean                   Poets on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 184.

                “The Words,” trans. of  Las palabras by Enrique Valdés (1943 --), in Poéticas de Chile / Chilean                                    Poets on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 186.

                “Close To The Style Of Last Words,” trans. of A modo casi de palabras finales by Walter Hoefler (1944-),

in Poéticas de Chile / Chilean Poets on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 192.

                “To Begin Again,” trans. of Recomenzar by Waldo Rojas (1944-), in Poéticas de Chile / Chilean                                                     Poets on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 198.

                “Ona Oracle,” trans. of Oráculo Ona by Juan Pablo Riveros (1945-), in Poéticas de Chile / Chilean                                                 Poets on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 203.

“The Dark Speaks,” trans. of El obscuro habla by Virgilio Rodríguez (1946-), in Poéticas de Chile /                                                 Chilean                 Poets on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 212.

                “I Never Show A Poem” trans. of Nunca maestro un poema by Juan Cameron, in Poéticas de Chile /                                              Chilean                 Poets on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 218.

                “Poetry,” trans. of La poesía by Eduardo Anguita (1914-1992), in Poéticas de Chile / Chilean                                                          Poets on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 433-436.

                “The Word,” trans. of  La palabra by Gonzalo Rojas (1917-), in Poéticas de Chile / Chilean                                                             Poets on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 446-450.

                “Truly,” trans. of  De versa by Armando Uribe (1933-), in Poéticas de Chile / Chilean Poets on the Art of                                      Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 466-468.

                “St. John of the Cross Listens to Miles Davis, trans. of San Juan de la Cruz Eschuca a Miles Davis by                                          Oscar Hahn, in Chelsea (82/83): 202-203.

                “Tailor’s Shop,” trans. of Sastrería by Oscar Hahn, in Chelsea (82/83): 204.

                “Swaddling Clothes and Shrouds,´trans. of Pañales y mortajas by Oscar Hahn, in Chelsea (82/83): 205.

 

2008        “Almond Trees,” trans. of Almendros by Oscar Hahn, in The Literary Review (TLRWEB, No. 2): 4.

 

2009        “Restriction off Nocturnal Movements,” trans. of Restricción de los desplazamientos nocturnos by Oscar                                    Hahn. In The Oxford Book of Latin American Poetry. New York: Oxford UP: 431-432.

                “Conjuror’s Tract,” trans. of Tractatus de sortilegiis by Oscar Hahn. In The Oxford Book of Latin American                                 Poetry. New York: Oxford UP: 432-433.

                “Vision of Hiroshima,” trans of Visión de Hiroshima by Oscar Hahn. In The Oxford Book of Latin                                                   American Poetry. New York: Oxford UP: 433-434.

 

 

 

 

 

 

               

                                REVIEWS

      

       (Prior to 1978, dozens of book reviews in Wichita Falls Times, Texas Writers Newsletter and Southwestern American Literature)       

 

1980        The Power Exchange, novel by Alan R. Erwin (Texas Monthly Press), Wichita Falls Magazine April 1980.

                From A Limestone Ledge, essays by John Graves (Alfred A. Knopf), Wichita Falls Times 7 Dec.: 10E.

                The Unicorn, nonfiction by Nancy Hathaway (Viking), Wichita Falls Times 14 Dec.

      

1981        The Meeting At Telgte, novel by Gunter Grass (Harcourt Brace Jovanovich), Dallas Times Herald 31 May:                5L. 

                The Beast, novel by Jonathan Fast (Random House), Dallas Times Herald 21 June: 5P.

              Will's Boy, memoir by Wright Morris (Harper & Row), Dallas Times Herald 2 August: 5J.

              November 22, novel by Bryan Woolley (Seaview), Wichita Falls Times 9 August: 35.

              Love In All Its Disguises, novel by Norman Rosten (Arbor House), Dallas Times Herald 6 Sept.: 5L.

              The Silver Spooner, novel by Darcy O'Brien (Simon & Schuster), Dallas Times Herald 11 Oct.: 4K.

      

 1982       Burning The Fence, poems by Walter McDonald (Texas Tech), Dallas Times Herald 3 Jan.: 4G.

              Sketches In His Own Key, essays by Bob St. John (Shoal Creek Press),  Dallas Times Herald 10 Jan.: 5K.

              Sweet Cane, novel by Bruce McGinnis (Vanguard), Dallas Morning News  31 Jan.: 4G.

              Skycastle, novel by Steve Krantz (Macmillan), Dallas Times Herald  16 May: 4M.

                Love & Other Natural Disasters, novel by Allen Hannay (Atlantic-Little, Brown), Dallas Times Herald 27                                     June: 4P.

                Tom Mix And Pancho Villa, novel by Clifford Irving (St. Martin'sPress),Dallas Times Herald 11 July: 5M.

              The Shadow Line, novel by Laura Furman (Viking), Dallas Times  Herald 12 Sept.: 4N.

              Blind Man's Bluff, novel by Michael Adams (Imperial Palm Press), Dallas Times Herald 31 Oct.: 5M.

              Camus, biography by Patrick McCarthy (Random House), Dallas Times Herald 5 Dec.: 5N.

      

1983        Faulkner's Search For A South, nonfiction by Walter Taylor (U of  Illinois P), Dallas Times Herald 27                                           Feb:, 5N.

Solo: An American Dreamer In Europe: 1933-1934, memoir by Wright   Morris (Harper & Row), Dallas Times Herald 5 June: 4L.

                Mrs. Caliban, novel by Rachel Ingalls (Gambit), Dallas Times Herald  19 June: 4N.

              El Vago, novel by Laurence Gonzales (Atheneum), Dallas Times Herald 3 July:5N.

              Modern Baptists, novel by James Wilcox (Dial),Dallas Times Herald  17 July: 4M.

              Sam Bass, novel by Bryan Woolley (Corona), Wichita Falls Times 13 Nov.: 6F.

                A South American Trilogy, stories ed. by Luis Ramos-Garcia (Studia  Hispanica Editors), The Pawn Review                   Vol. VII, No. 3: 119-121.

                Quanah: The Serpent Eagle, novel by Paul Foreman (Northland Press), Southwest Review 68-4 (Autumn):                                    410-411.       

 

1984        This Favored Place: The Texas Hill Country, nonfiction by Elroy Bode (Shearer), Dallas Times Herald  22   Jan.: 4M.

The Greatest Honky-Tonks In Texas, nonfiction by Bill Porterfield  (Taylor), Dallas Times Herald  5 Feb.:                       4K.

                The Journeyer, novel by Gary Jennings (Atheneum), Dallas Times Herald 26 Feb. 5M.

                A Return To The Landscape, poems by Joseph Colin Murphey (Prickly Pear Press), Tellus No. 8 (Summer):                    30-32.

                 Cincinnatus: George Washington And The Enlightenment, by Gary Wills (Doubleday), DallasTimes                                            Herald  8 July: 4L.

                 James Agee, biography by Laurence Bergreen (Dutton), DallasTimes Herald 26 Aug.: 11E.

                 The Time Of My Life, essays by Bryan Woolley (Shearer), Wichita Falls Times 7 Oct.: 6F.

                 Drama review of True West by Sam Shepard, Midwestern State   University Drama Dept., The Guide Nov.:                     32-33.

                 Drama review of Servant of Two Masters by Carlo Goldoni and Tom Cone, Midwestern State University                                        Drama Dept.,The Guide Dec.: 16.

      

1985          The Chief: A Memoir of Fathers And Sons, by Lance Morrow   (Random House), Dallas Times Herald 17                                                                                    Feb.: 9C.

                 Hurrah For The Next Man Who Dies, novel by Mark Goodman (Atheneum), Dallas Times Herald 21 July:                    12C.

                 The Snowblind Moon, novel by John Byrne Cooke (Simon & Schuster), Dallas Times Herald 11 August: 11C.

                 Where Texas Meets The Sea, text by Bryan Woolley, photographs by Skeeter Hagler (Pressworks), Wichita                  Falls Times 6 Oct.: 6-F.

                 Winters Coming, Winters Gone, novel by Allen Glick (Pinnacle).Dallas Times Heral, 13 Oct.: 10C.

                  Cousins To The Kudzu, novel by William Doxey (LSU Press), Dallas Times Herald 24 Nov.: 14C.

      

 1986         Witching On Hardscrabble, poems by Walter McDonald (Spoon River), Dallas Morning New 30 March:                                     9C.

                  Deerinwater, novel by Jan Reid (Texas Monthly), Texas Writers  Newsletter No. 43 (May): 5-6.

                  Educational Myths I Have Known And Loved, essays by Baird W. Whitlock (Schocken), Dallas Morning                                 News 29 June: 11C.

                  Night Of The Luminarias, stories by Pat Carr, and The God Chaser, stories by Pat Ellis Taylor (both from                                     Slough Press),Dallas Morning News 19 Oct.: 11C.

                  Seasonal Rain & Other Stories by Robert Flynn (Corona), DallasMorning News 14 Dec.: 12C.

      

1987        Will They Love Me When I Leave?, nonfiction by C.W. Smith (Putnam), Wichita Falls Times 26 July: 5F.

      

1988        The Stranger, novel by Albert Camus, translated by Matthew Ward (Knopf), Dallas Morning News 29                                         May: 9C.

 El SueZo, poem by Sor Juana Ines de la Cruz, translated by John Campion (Thorp Springs), Duende June: 5-6.

                 After The Noise Of Saigon, poems by Walter McDonald (U Mass. P), The Texas Observer 14 Oct.: 19-20.

                The Eight Corners Of The World, novel by Gordon Weaver (Chelsea Green), Dallas Morning News 16                                           Oct., 10C.

                 Good Rockin' Tonight, stories by William Hauptman (Bantam), Wichita Falls Times & Record News 13                                        Nov.: 5F.       

 

1989         Night Landings: Poems, by Walter McDonald (Harper & Row), The Texas Observer, 19 May: 19.

                Heart's Invention: On The Poetry Of Vassar Miller(Ford Brown), Steven Ford Brown, ed., The Texas                                             Observer 15 Sept., 13-14.

                 Buffalo Nickel, novel by C.W. Smith (Poseidon/Simon & Schuster), The Texas Observe, 27 Oct.: 19-20.

                 Things We Lose, stories by Roland Sodowsky (U of Missouri P), Dallas Morning News 31 Dec.: 6-7J.

                 The Sounds of Rescue, The Signs of Hope, novel by Robert Flynn (TCU Press), The Texas Observer 20                                          April: 20.

      

1990         The Edge of the West & Other Stories of Texas, nonfiction by Bryan Woolley (Texas Western Press), The                                     Texas Observer 7 Dec.: 17.  

    

1991        Men Who Would Be Good, stories by Gordon Weaver (Triquarterly/ACP), Dallas Morning News 12 May:                                    6-7J.

                 Commonplace Mysteries: Essays, by Elroy Bode (Texas Western Press), San Antonio Express-News 1                                          Sept.: 5L.        

     

1993         The Bride Wore Crimson & Other Stories, nonfiction by Bryan Woolley (Texas Western Press), The Texas                                 Observer 3 Sept.: 20.

 All That Matters: The Texas Plains In Photographs And Poems: New and Selected Poems by Walter McDonald (Texas Tech UP), The Texas Observer 17 Sept.: 17.      

 Andalusian Poems, trans. from the Spanish versions of the Arabic by Christopher Middleton and Leticia Garza-Falcón (David R. Godine), The Texas Observer, 15 Oct.: 18.

 Four Post-Modern Poets Of Spain: A Critical Introduction WithTranslations Of The Poems, ed. and trans. by Kay Pritchett (Fayetteville and London: U of Arkansas P, 1991), in Translation Review No.'s 42 & 43: 58-60.  

 

1994        The Fermata, novel by Nicholson Baker (Random House), Dallas Morning News 30 Jan.: 8J+.

                 Without A Hero: Stories by T. Coraghessan Boyle (Viking), DallasMorning New, 8 May: 8J+.

The Andrew Poemsby Shelly Wagner (Texas Tech UP), Anecdotal Evidence by Jim Linebarger (Point                                            Riders Press), andCrazy Horse and Walt Whitman's Hands by Charlotte M. Wright (Redneck                                           Press), TexasBooks In Review Vol. XIV, No. 2 (Summer): 10.

                 Figures For The Ghost: Poems by Scott Cairns (U of Georgia P), TexasBooks In Review XIV- 3                                                       (Fall): 9.

 

1996        Wild Steps of Heaven, novel by Victor VillaseZor (Delacorte), Dallas Morning News 7 April: J8-9.

 

1997        Reflections In Dark Glass: The Life and Times of John Wesley Hardin, novel by Bruce McGinnis (U of                                          North Texas P), Texas Books InReview XVL-34 (Fall/Winter 1996): 2.

 A History of the Sweetness of the World:Poems by Michael Lieberman (Texas Review Press), TexasBooks In Review XVL-34 (Fall/Winter 1996): 20.

 

1998        The Buddha In Malibu: New & Selected Stories by William Harrison (U of Missouri P), DallasMorning                                       News 24 May:J10.

 

1999        Sojourn At Elmhurst: A Poem Sequence by Michael Lieberman (New Rivers), TexasBooks In Review                                            (Fall/Winter 1998): 28-29.

 

2000        The Blood Latitudes, a novel by William Harrison (MacMurray & Beck), The Texas Observer, 21 July: 36.

 

2001        Walter Benjamin At The Dairy Queen, by Larry McMurtry (Simon & Schuster, 1999), Southern Humanities                   Review (Winter): 90-94.

                Pretty Is As Pretty Does,a novel by Alison Clement (MacAdam/Cage, 2001),Denver Post, 7 October.

                Angels Prostate Fall, a novel by Marshall Terry (SMU), Denver Post, 16 Dec.: 1DD+.

 

2002        First Cause/Primera Causa, poems by Tino Villanueva, trans. by Lisa Horowitz (Cross-Cultural

                                Communications, 1999), Translation Review, No. 62:84-86.

                The Bullet Meant For Me,memoir by Jan Reid(Broadway Books, 2002), Denver Post 28 April: 2EE.

Sifting Through The Madness For The Word, The Line, The Way: Poems by Charles Bukowski (Ecco/HarperCollins, 2003), DenverPost 22 Dec.

 

2003       Remnant: Poemsby Michael Lieberman (The Sheep Meadow Press, 2002), TexasBooks in Review XXIII–1               (Spring): 20.

Sleep Toward Heaven, a novel by Amanda Eyre Ward (MacAdam/Cage, 2003), The Texas Observer 18 July: 24-25.

In The Image and Likeness: Fictionsand Background Noise: Poems by Saúl Yurkievich, trans. by  Cola Franzen (Catbird Press, 2003),Denver Post: 10 August.

                Anja The Liar, a novel by Thomas Moran (Riverhead, 2003), The Denver Post 12 Oct.: 12EE.

 

2004        OneMore River To Cross: The Selected Poetry of John Beecher (New South, 2003), The Denver Post 11        Jan.

                Blue Horse Dreaming: A Novel by Melanie Wallace (MacAdam/Cage), The Texas Observer 30 Jan.: 24-25.

                Myself And Strangers: A Memoir by John Graves (Knopf), The Denver Post 23 May: F11.

                The Mottled Air: Poems by Paul Christensen (Panther Creek Press), TexasBooks In Review: 22-23.

On The Wing: To The Edge of the Earth with the Peregrine Falconby Alan Tennant (Knopf), The Denver Post 5 Sept.: F15.

 

2005        Great Lonely Places of the Plains, poems by Walter McDonald, photographs by Wyman Meinzer                  (Lubbock: Texas Tech UP), Great Plains Quarterly 25.1 (Winter): 48-49.

 

2006        If You Could See Me Now: A Chronicle of Identity and Adoption, by Michael Mewshaw (Denver:                   Unbridled Books), DenverPost, 30 April.

                Twenty Questions: a novel by Alison Clement (New York: Atria Books), Denver Post, 18 June.

                Hard Country: poems by Paul Christensen (Austin: Thorp Springs Press), The Texas Observer, 6 Oct.: 29-                                     30.

 

2007        Love Hound: Poems by Olivier Welden, trans. by Dave Oliphant (Austin: Host, 2006), in Translation                                              Review, No. 72: 62-64.

 

2008        Burying The Farm: A Memoir of Chillicothe, Texas by Robert Flynn (San Antonio: Wings, 2008), in San                                       Antonio Express-News, 27 April 2008: H10.   

                259 Leaps by Alicia Kozameh, trans. by Clare Sullivan (San Antonio: Wings, 2007), in HoustonChronicle                     11 May 2008.

 

 

                PLAYS

      

       Seven plays produced, including two at the Omni Theatre Club, in New York  City, 1973; one of them, "Conspiracy," also aired on the Sterling Cable TV Network in NYC. "Sunrise" was published in The Pawn Review, Vol. I, No. 2: 44-54. “Isometrics & The Towel” was published in Atlantic Pacific Press (Boston) Autumn 2009 (Vol. 2, No. 3): 60-75.

      

      

            READINGS & GUEST LECTURES

      

                Instituto Allende, San Miguel de Allende, Mexico; University of Maine;  California State University at Fresno; North Texas State University; Southern Methodist University; Texas Christian University; Texas Tech University; University of Kansas; Baylor University; Stephen F. Austin State University; Sam Houston State University; Texas Circuit (Austin);Poets In Chapel Series (Austin); Midwestern State University Readers Theatre; and others, including academic presentations at South Central Conference on Christianity and Literature, Conference of College Teachers of English, Texas Association of Creative Writing Teachers, Mid-West  Association for Latin American Studies (St. Louis), American Studies Association of Texas (Baylor), Midwestern State University Faculty Forum,  Associated Writing Programs (Austin, TX, and Portland, OR); and other readings at Shakespeare &  Co. Book Store (Dallas), Cable Channel B (Dallas), University of Texas at Dallas and CUNY Graduate Center (American Literary Translators Association), University of Arkansas, Open Theatre (Austin), University of  Iowa (American Literary Translators Association), Fort Concho Literary Festival, San Diego (American Literary Translators Association), Americas Society (New York City), University of North Texas Literary Festival, Contemporary Arts on McKinney (Dallas), Havana, Cuba, Boston University (University Professors Guest Lecture on Literary Translation and Theory), University of Iowa Spanish Colloquium, Prairie Lights Book Store in Iowa City, Texas Book Festival, Houston Book Festival, Associated Writing Programs (Chicago), Texas A& M, Univ. of Texas at Dallas, numerous readings for American Literary Translators Association conferences, and others.

      

      

            HONORS & AWARDS

      

Hardin Professor of the Year, 1977; National Endowment for the Arts  Creative Writing Fellowship Grant, 1979; Texas Institute of Letters (membership granted only by invitation); Hart Crane & Alice Crane Williams Memorial Fund Award for poetry; Midwestern University Fine Arts Festival Award; Roll of Honor, The Best American Short Stories (1970, 1973); Anthology of American Verse and Yearbook of American Poetry (1981, 1984);  Brazos Bookstore (Houston) Short Story Award from Texas Institute of Letters, 1990; McMurtry Distinguished Professor of English, 1997; Soeurette Diehl Fraser Translation Award from Texas Institute of Letters, 1999; Stanley Walker Journalism Award from Texas Institute of Letters, 2000; Poet Laureate of Texas, 2000; Perkins-Prothro Distinguished Professor of English, 2001; Lon Tinkle Award for Excellence Sustained Throughout A Career, Texas Institute of Letters, 2006; PEN Texas Poetry Award, 2007; PEN Southwest Poetry Award (Wearing The River: New Poems); research grants from Midwestern State University; and  others

      

      

            BIOGRAPHICAL LISTINGS

      

International Who's Who In Poetry, Outstanding Educators of America,  Personalities of the South, Dictionary of International Biography, Contemporary Authors, Personalities of America, Who's Who In U.S. Writers,  Editors & Poets, The Writers Directory, and others

      

      

            UNIVERSITY ACTIVITIES

      

Director of MSU Press; former member and officer  of Faculty Senate; former president of MSU chapter of AAUP; Core  Curriculum Committee; acting department chairman during several summers; former sponsor of Sigma Tau Delta, honorary English fraternity; former faculty advisor for Voices; departmental travel committee and scholarship committees; judge for Vinson Awards in Creative Writing; coordinator for  bringing writers to MSU for public readings yearly; former chairman of Rank & Tenure Committee; former chairman of Honors Program Committee; and others       

      

            OTHER ACTIVITIES & MEMBERSHIPS

      

Conference of College Teachers of English; South Central Modern Language Association; South Central Conference on Christianity & Literature; American Literary Translators Association; Southwest Council of Latin American Studies; American Studies Association of Texas; former assistant  editor of Helios: Journal of the Classical Association of the Southwestern United States; Corresponding Editor for Pacific South America for Manoa (Univ. Of Hawaii); former editor of Texas Writers Newsletter; editor of Mensa Alta Anthology: Papers by Hardin Professors at MSU; editor of Midwestern State University Press; faculty coordinator for Mensa Alta, the organization of  Hardin Professors at MSU; writer in residence and guest professor at  Instituto Allende in San Miguel de Allende, Mexico (summers 1977, 1978); past consultant and visiting writer at SMU's Fort Burgwin Writers Workshop at Ranchos de Taos, New Mexico; twice chairman of Texas Institute of Letters Stanley Walker Journalism Award Committee; judge for TexasInstitute of Letters Poetry Award, Fiction Award, Journalism Award; regular book reviewer forDallas Times Herald (till its demise); regular columnist for Westwords section ofWestward Magazine of the Dallas Times Herald; former editor of Texas Institute Of Letters Newsletter; Texas Institute of Letters Council (1989--); Secretary-Treasurer of Texas Institute of Letters (1990-1994); former  President of Texas Institute of Letters (1994-1998) 1996; and others.         

 

                Faculty Publications & Artistic Productions (Wichita Falls: Midwestern State UP, 1995).

                Married To Dance: The Irina & Frank Pal Story, Lynn Hoggard (Wichita Falls: Midwestern State UP,                                          1995).

                The Tehuantepec Jungle, Walter W. Dalquest, Midwestern State UP,1996. 

                The Texas Economy: 21st Century Challenges, ed. by Louis J. Rodriguez and Yoshi Fukasawa, Midwestern                                 State UP, 1996.

                Lloyd Ruby: The Greatest Driver Never To Win The Indy 500, Ted Buss (Wichita Falls: Midwestern State                                     UP, 2000)

MidwesternState University: The Better Part Of A Century, Everett Kindig (Wichita Falls: Midwestern State UP, 2001)

Playing By Heart: Leon Gibbs & The Mills Brothers Band, Carroll Wilson (Wichita Falls: Midwestern State  UP, 2003.

                The Life And Times Of Judge Graham Purcell, Ted Buss (Wichita Falls: Midwestern State UP, 2004).

Tales of Texoma: Episodes in the History of the Red River Border, ed. Michael Collins (Wichita Falls: Midwestern State UP, 2005).

Ribbons of Time, photographs by Walter W. Nelson, text by Douglas Preston (Wichita Falls: Midwestern State  UP, 2006).

                Putting Dreams To Flight, by Leland Snow as told to Al Cleave (Wichita Falls: Midwestern State UP,                                             2008). 

 

 

                ESSAYS & NONFICTION

      

1964        "Death of the Vicarious," Southwest Review (Autumn): 366-374. 

     

1966        "A Sketch of Structure In Modern Criticism," MidwesternUniversityQuarterly, Vol. 2, No. 2: 75-81.

 

1975        "Tragedy As Mediation," Southwest Review (Summer): 265-276.

       

1979        "A Meditation On Comedy," Southwest Review (Summer): 265-279.

      

1980        "Takin' Care Of Business: A Profile On Bobby Johnson," Vision, July:  24-29.

 

1982        "Riding The Wind," Southwest Review (Summer): 322-330. 

                "Latin Teacher's Vision Instilled A Sense Of Understanding," DallasTimes Herald, Southwest Letter, 31                                       Oct.: 40-A.       

 

1983        "The Escape of Bobby Johnson" (excerpt from Elevator Man), Westward: Dallas Times Herald, 31 July: 6-                    8, 10.

                "Emphasis On Sincerity Misses The Point," DallasTimes Herald,  Southwest Letter, 11 Sept.: 37-A.

                "Matching," Westward: Dallas Times Herald, 2 Oct.:  34.

                "The Day Bobby Johnson Disappeared" (excerpt from Elevator Man),  Texas: Houston Chronicle                                                  Magazine, 23 Oct.: 8-10.       

 

1984        "For The Fear Of Ole,"Westward: Dallas Times Herald, 5 Feb.:  26.

                "Shopping Mall: Daydreaming Through An Urban Fantasyland," DallasTimes Herald, Southwest Letter,                                     12 Feb.: 40-A.

                "Monkeying With The Truth," Westward: Dallas Times Herald, 4 March: 30.

                "Texas Plainsong," Westward: Dallas Times Herald, 15 April:  22.

                "Circling Back," Southern Living, May: 166.

                "Facing Defeat, Sideways," Westward: Dallas Times Herald, 24 June:  22.

                "To The Garden, Alone," Westward: Dallas Times Herald, 29 July: 19.

                "Led By A Child," Westward: Dallas Times Herald, 9 Sept.: 22.

                "Where Temples Call," Westward: Dallas Times Herald, 4 Nov.: 18.

                "Talking On The Phone With The World," Westward: Dallas Times Herald, 18 Nov.: 23-24, 27.

                "The Christmas Pyramid," Westward: Dallas Times Herald, 23 Dec.: 18.

      

1985        "The Snow's Purple Toes," Westward: Dallas Times Herald, 17 Feb.: 18.

                "Playing With Illusion," Westward: Dallas Times Herald, 7 April: 18.

                "Into Luxembourg Gardens,"City Magazine/Wichita Falls, Dec.: 38-41.

      

1986        "Taking A Drive Into The Past," DallasLife Magazine: Dallas Morning News, 23 March 1986: 14-16, 18.

      

1987        "On Common Sense," City Magazine/Wichita Falls, April: 37.       

      

1988        "Sandstone And Ice: Memory And Sight," CimarronReview, Oct.: 50-59.

                “Preface” to The Art of Dying/Arte de morir (Pittsburgh: Latin American Literary Review P): 5-7.      

1989        "Correcting An Error: [Robert Frost's] 'The Road Not Taken,'" Notes on Contemporary Literature, Vol.                                          XIX, No. 1 (Jan.): 7-8. 

                "Working At Home With Them," Concho River Review III-1 (Spring): 39-45.

                "On The Poetry Of Oscar Hahn: An Introduction," Vortex: A Critical  Review IV-V: 29-31.

      

1990        "Saddam's Shadow," TexasMonthly, Oct.: 34, 38, 40.

1991        “Preface” to Love Breaks/Mal de amor (Pittsburgh: Latin American Literary Review P): 9-14.      

 

1992        "Herndon Park," ConchoRiverReview

 

1994        “Translator’s Afterword” to Chronicle Of My Worst Years/Ctónica de mis aZos peores(Evanston:                                 Northwestern UP): 79-84.

 

1996        “Stars Set In A White Sky,” Two Lines (Spring): 72-73.

                “The Magic Of Synthesis,” Manoa  8-1 (Summer): 37-39.

 

1998        “The Fantastic Turns Of Time,” Two Lines (Spring): 94-95.

                 “The Writer As Translator: An Interview With Ellen Watson,” Translation Review, No. 54: 4-7.

                “What The Truth Depends On,” Faculty Papers, Midwestern State University, Series 3, No. :

 

1999        “Remarks On Translation,” Clackamas Literary Review III-1: 3.

                “The Intimate Presence Of The Other: An Interview With Margaret Sayers Peden,” Translation Review,                                        No. 56: 3-9.   

                Essay on “Acrophobia” and poetics, in Roundup: An Anthology of Texas Poets From 1973 until 1998, ed.                                                  by Dave Oliphant. Cedar Park: Prickly Pear: 96-100.

                Three-part series on Cuba: “Cuba’s History on Display for Visitors with Keen Eye,” Wichita Falls Times                         Record News, 23 May: 1, 14A; “Past and Future Mingle, 24 May: 1, 6A; “Back to the Homeland,”                              25 May: 1, 9A.

 

2000        “The Expansive Self: The Poetry of Tino Villanueva,” The Texas Observer, 12 May: 23-25.

                “Blue Paints,” TexasCo-op Power, July: 20-21.

                “Hotter’n Hell Hundred,” Texas Parks & Wildlife, August: 56-63.

“Meter And Rhyme,” Mooring Against The Tide: Writing Fiction and Poetry, ed. Jeff Knorr and Tim                                             Schell. Upper Saddle River, NJ: Prentice-Hall: 45-50.

                “Point Of View In Poetry,” Mooring Against The Tide: Writing Fiction and Poetry, ed. Jeff Knorr and Tim                                    Schell. Upper Saddle River, NJ: Prentice-Hall: 63-67

“Poetry of the Plain(s): An Ancient Art Form Has Much To Tell Us, Even In Texas,” Fort Worth Star-Telegram 10 September: E1+.

 

2001        Commencement Address, Midwestern State University, 12 May. Wichita Falls.

                “Remarks To Celebrate The National Translation Award,” Translation Review, No. 60: 4. Originally                                                 delivered at ALTA’s annual conference, October 2000, San Francisco.

“Return To Cuba,”  3-part series in (Wichita Falls) Times Record News 1 July: 1+; “Trading Thoughts,” 2 July: 1+; “A Spirited Nation,” 3 July: 1+.

“London: The Theatre Of Place,” Faculty Papers: Midwestern State University, Series 3, Vol. XIV (1997-2000): 93-101.

                “An Odd Little Offer,”The Texas Observer, 23 November: 22-23.

 

2002        “The Marathon Shirt,” The Texas Observer, 15 February: 30-31.

                “The Devil’s Fingers,” The Texas Observer, 27 September: 30-31.

“The Draw of the Other,” Voice-Overs: Translation and Latin American Literature, ed. by  Daniel Balderston and Marcy E. Schwartz (Albany: State University of New York Press): 100-103.

                “The Good Life,” The Texas Observer, 22 November: 30-31.

 

2003        “Jazzing Through The Drought,” The Texas Observer, 29 August: 30-31.

 

2004        “The Killdeer Run,” The Texas Observer, 9 April: 30-31.

                “Shooting Skeet,” The Texas Observer, 18 June: 30-31.

                “The Rhythms of Closeness, The Touch of the Word,” Langdon Review of the Arts in Texas, Vol. 1: pp. 19-

22.

                “Preface” (to poems on paintings by Edward Hopper), Langdon Review of the Arts in Texas, Vol. 1: p. 23.

                “At The Foot Of The Pole,” TexasObserver 8 Oct.: 29-31.

 

2005       “Flyfishing,” The Texas Observer 4 Feb.: 29-31

 

2007        “A High Trail,” New Texas: 57-60.

“Getting Away,” ConchoRiverReview, XXI-2 (Fall): 48-53.

 

2008        “Translator’s Preface to Oscar Hahn’s Ashes In Love,” Hofstra Hispanic Review Vol. 3, No. 7 (Spring): 78-                     81.

                “Mesquite,” Wichita FallsLiterary & Arts Review (Summer 2008): 6-9.

                “The Pleasure of Her Treks,” ConchoRiverReview (Fall 2008): 63-68.

2009        “A Note on Play,” The Blue Rock Review 5 – 1: 55.

 

 

                SHORT STORIES

      

1962        "Blake," The Rectangle.

                "Perfectly Natural," Espejo: 9-11.

      

1966        "London Bridge And Searcy Gassman," Southwest Review (Summer): 272-284.

      

1967        "One-Legged Dancer," Southwest Review (Summer): 274-289.       

 

1969        "Mesquite," Southwest Review (Spring): 175-186.       

 

1972        "But The Daddy Doesn't Get To Cry," Redbook (June): 72-73, 139-140.

      

1974        "Put Her In A Pumpkin Shell," The Bicentennial Collection of Texas  Short Stories, Texas Center For                                             Writers Press: 156-163.

                "Separate Circles,"Skywriting  II-1 & 2: 45-52.  

    

1975        "The Boisterous Invalid," Descant (Winter):  9-19.

                "No Accounting Shall Be Asked," Southwest Review (Spring): 143-156.

                "The Embodiment of the Times," MississippiReview (May): 39-51.

                "At Home In Beretreganutal," AspenLeaves II-1: 47-56.

                "Man On A Utility Pole," Lunar Retorno 7: 19-24.

                "Unfinished Actress, Whittling Her Voice," New & Experimental Literature, Texas Center For Writers                                          Press: 145-149.       

  

1976        "A Couple Of Heroes," The Pawn Review I-1: 17-20.  

    

1979        "A Gift From The Scorched Moon," Partisan Review 2: 223-233.

                "The Leaning Tower Of Babel," Southwest Review (Spring): 162-165.       

1980        "Age Of Aquarius," Cedar Rock (Spring): 25.

                "Night And The Blood Washed Away," Wichita FallsMagazine (May): 32- 33.

                "A Bit Of A Bitch," Vanderbilt Review (Spring): 54-59.

                "The Ghost,"Wichita FallsMagazine Nov.: 46-49.       

 

1981        "Quivering Aspen," The Pawn ReviewV: 55-58.       

 

1982        "In San Miguel A Siren Sang," New MexicoHumanities Review (Summer): 77-85.

      

1983        "Indwelling In Elyrity," New MexicoHumanities Review (Summer): 57- 63.

      

1987        "Friends Off The Square," ConchoRiverReview I-1 (Fall): 27-33.

      

1988        "The Lady In Blue," Duende (Oct.): 32.

      

1989        "The Scapegoat," Blue Mesa Review (Spring), No. 1: 127-139.

      

1991        "Turning The Deer Free," New Texas 91 (Univ. of North Texas): 40-53.

 

1993        “The Scapegoat," rpt. in New Growth 2. ed. by Mark Busby (San Antonio: Corona): 140-152.        

                "Blues For Evening," RiverSedge VII- 2 (Spring): 87-91.

      

1995        "Waiting For Rain,"Texas Short Fiction: A World In Itself, II (Redmond, WA: Ale): 276-283.

                "Brother Bill To His Cousin," New Texas 95, ed. by Kathryn S. McGuire and James Ward Lee (Denton:                                           Center For Texas Studies):  3.

                "Hammer's Home," New Texas 95: 4-5.

                "Papa Writes Pound," New Texas 95: 5-6.

                "Heidegger To Mama, His First Week Away At College," New Texas 95: 6-7.

 

1997        “Patterns Of Illusion,” TexasShort Stories, ed. Billy Bob Hill (Dallas: Browder Springs): 115-128.

 

2000        “The Last Camp Out,” TexasShort Stories 2, ed. Billy Bob Hill and Laurie Champion (Dallas: Browder                                             Springs): 849-861.

                “The Way The World Is,” Descant (Lone Star 2000: Texas Writers Special Issue) 39:1 & 2 (Spring/Fall):                                          116-126.

 

 

                POEMS

      

1962        "Significance," The Rectangle.

                "Cremation," Espejo, Fall. 20.

                "Trembling," Espejo, Fall, 21.

                "Nocturne,"Espejo, Fall, 22.

      

1963        "Sonnet," Espejo, Spring, 56.

      

1964        "November 22, 1963," Southwest Review, Winter, 13-14.       

 

1965        "The Camel," The University (of Kansas) Review, Dec., 1. 

                "Vincent Van Gogh," Et Al, 145

      

1966        "Evening. October. Mid-America," KansasMagazine, 17.

                "Prothalamion," Penny Poems From Midwestern University, Vol. VII, No. 3.

      

 1967       "Song Of Rebecca Calcutta," The Fiddlehead, No. 71 (Spring), 26-27.

               Haiku Poems 1-23, Poetry Review (Univ. of Tampa), No. 10.

                "Fighting For Life," Poet & Critic, Vol. 3, No. 2, 26.

                "Allegory," Poet Lore, Vol. 62, No. 2 (Summer), 120.

                "Matin," Penny Poems From Midwestern University, Vol. VIII, No. 3. 

     

1968        "Chill," Bitterroot, No. 22 (Winter 67/68), 28.

                "The Oppressed," The Smith, No. 8 (Feb.), 175.

                 "To A Young Artist," Poet (Madras, India), March, 45.

                 "Breaking An Indelicate Statue," Beyond Baroque 691, 31.

                 "The Painter," Southern Poetry Review, Fall, 29.

                 "The Split,"South Florida Poetry Journal, Vol. I, No. 2 (Winter), 48.

                 "A Myth For An Unborn Child," South FloridaPoetry Journal, Vol.  I, No. 2 (Winter), 49.

      

1969        "Absolution," Descant, Vol. XIII, No. 3 (Spring), 32.

                "Visiting Day," Descant, Vol. XIII, No. 3 (Spring), 32.

                "Springsound," The Salt Creek Reader, Vol. III, No. 1 (June).

                 "Water & Love: 5 haiku," Sou'wester, Summer, 24.       

 

1970        "The Spinster," South FloridaPoetry Journal, No.'s 4/5 (May), 45.

               "After," The Salt Creek Reader, Vol. III, No. 8 (July).       

 

1971        "By The Riverside Down," The Blackbird Circle, No. 1 (Spring), 8.

              "Conception," The Blackbird Circle, No. 1 (Spring), 9.

                "Reason For Reserve," The Blackbird Circle, No. 1 (Spring), 10.

                "Residue," The Blackbird Circle, No. 1 (Spring), 11.

                "The Prophetess," West Coast Poetry Review, Vol. I, No. 1 (July), 32.

                "Cross Country," Back Door, No. 4 (Fall), 56.

                "Electrical Storm," Karamu, Vol. III, No. 2 (Oct.), 32. 

                "Insomniac," Karamu, Vol. III, No. 2 (Oct.), 66-67.       

 

1972        "&," Beyond Baroque 712, April, 43.

                "Dilations Of Felinity," Beyond Baroque 712, April, 43. 

                "Partial Reunion," (Univ. of Houston) Forum, Vol. 10, No. 2 (Summer-Fall), 15.

                "Beating Out Exile," International Who's Who In Poetry Anthology (London: Melrose Press), 236

      

1973        "Gotterdammerung," Pembroke Magazine, No. 4 (Spring), 87.

"Acervation," The New Breed: An Anthology of Texas Poets (Dallas & DeKalb: Prickly Pear Press), 77.  Also reprinted in this anthology: "Breaking An Indelicate Statue," "The Prophetess," "By The Riverside                              Down," "Partial Reunion," "Song Of Rebecca Calcutta," "Springsound," "Residue."

 

1974        “Running In Place," MississippiReview, Vol. 3, No. 1, 14.

       

1975        "Cosmology 2," Man-Root, No. 10, 60-62.

                "Faces," Big Scream, No. 3, 24.

                "Birth: A Retrospective Analect Commemorating E.P.'s Pouncing On The Sapphic Parchment," Big                                                  Scream, No. 3, 25.

                "Building Light," Big Scream, No. 3, 27.

              "God's Fool's Plainsong," The Blackbird Circle, No.'s 6/7 (Spring),  12.

                 “Lay Me Sleeping Down," Gravida 7, Vol. II, No. 3, n.p.       

 

1976        "Implosion," The Pawn Review, Vol. I, No. 1 (Jan.), 36.

                "Crone Cantering," The Pawn Review, Vol. I, No. 1 (Jan.), 37. 

                "Boneweather," Quartet, Vol. VII, No.'s 51-53, 21.

                "Abandoning Dionysus," Helios, n.s., Vol. 3, 89.

                "A Privileged Nobility," Helios, n.s., Vol. 3, 91.

                "Arabesque," Thought-Patterns In Composition (Englewood Cliffs, NJ: Prentice-Hall), 67-68.

                "Shaper's Counsel," Poetry*Texas, Vol. I, No. 1, 4.

                "Sanctuary," The Texas Slough, Vol. I, No. 2.

                "Offertory," The Texas Slough, Vol. I, No. 2.

                "Getting In Rhythm," Southwest Heritage, Vol. 6, No. 4, 23.  

    

1977        "A Notion Fired From Splittingness," Southwest Heritage, Vol. 7, No. 1, 19.

      

1978        "Keeping Watch," New MexicoHumanities Review, Vol. I, No. 1 (Jan.), 26.

                "Splintering Light," New MexicoHumanities Review, Vol. I, No. 1 (Jan.), 27.

                "Elpenor In Hell," Helios, n.s., Vol. VI, No. 1, 42.

                "Fun*Land," TexasStories & Poems (Dallas: Texas Center For Writers Press), 226-227.

                "Boundaries," TexasStories & Poems (Dallas: Texas Center For Writers Press), 228.

      

1979        "Shaper's Temple," New MexicoHumanities Review, Vol. 2, No. 3  (Fall), 48.

                "Christmas Holidays," Christmas In Texas (Houston: Brown Rabbit Press), 70.

                "Inertia," Christmas In Texas (Houston: Brown Rabbit Press), 72-73.

                "In The Rapids," The Texas Anthology (Huntsville: Sam Houston State Univ.), 148.    

                "Rainbowing The Earth," Images From The High Plains (Canyon, TX: Staked Plains Press), 90.

      

1980        “Patriotism," Vision, June, 7.

                "Archimedes In Andalusia," Sou'wester, Spring, 10. 

                "Shaper On Spring," Vanderbilt Review, Spring, 1-2.

                "Getting Groceries," Vanderbilt Review, Spring, 84.

                "The Rose You Dropped," The Pawn Review, Vol. III, No.'s 1/2, 91.

                "Hungary," Cedar Rock, Summer, 19.

"Sanctuary," World Anthology: A Verse Mosaic By Living Poets  (Urbana, IL: Delora Memorial Fund For World          Brotherhood), 61.

                "Telescoping Winter," The Argonaut, No. 7 (Fall/Winter), 25. 

     

1981        "Period Piece," Cedar Rock, Winter, 16.

                "Distance By Mind, Nerve By Heart," Separate Doors, Vol. 2, No. 1 (Spring), 4.

                "The Primal Fugue," Separate Doors, Vol. 2, No. 1 (Spring), 4.

                "San Sebastian Bay," Separate Doors, Vol. 2, No. 1 (Spring), 4.

                "Shaper's Confession," Vanderbilt Review, Summer, 63.

                "Shaper's Source," Espejo, Vol. XX, No. 1 (Fall), 6-7.

                "Admonishment," Pteranodon, No. 5, 20.

                "Implosion," Washing The Cow's Skull/Lavando La Calavera De Vaca (Fort Worth & Austin: Prickly Pear                                 Press/Studio Hispanica  Editors), 180.

                "Ancient Rhythms," Washing The Cow's Skull, 182.

                "Offertory," Washing The Cow's Skull, 184.

                "Traveling Toward Vengeance By Night," Washing The Cow's Skull, 186.

                "Hailing The Power," Washing The Cow's Skull, 188, 190, 192.

                "Nightwraithing," Telephone, No. 17, 93.

      

1982        "Tiresias, Weaver," Simply A Man Of Letters: Jorge Luis Borges (Orono, ME: University of Maine at                                             Orono Press), 333-334.

                "Barrio de Santa Cruz/Seville," Sulphur River Poetry Review, Vol. III, No. 2 (Winter), 11.

      

1983        “Going To Seed," The Texas Observer, 22 July, 22.

                "The Rector Getting In Shape," The Texas Observer, 22 July, 22. 

     

1984        "Out Of Place, Far From Rain," The Ohio Review, No. 32 (June), 108.

                "In Siena, Before," The Texas Observer, 14 Dec., 77. 

                "At The Brink," The Texas Observer, 14 Dec., 77.       

 

1985        "Sitting At My Large Mexican Desk Which Some Have Said Resembles A Sarcophagus With Drawers,"                                        Cross Timbers Review, Spring 1985, 45.

                "In The Clubhouse," Cross Timbers Review, Spring 1985, 58.

"Meeting The Wire," From Hide And Horn: A Sesquicentennial Anthology of Texas Poets (Austin: Eakin Press), n.p. (entry for 1881).

                "Planting Late," Latitude 30 18', No. 5, 35.

                "Summer Respite: a triptych," Latitude 30 18', No. 5, 36.

                "August," Latitude 30 18', No. 5, 37.

                "Fall Bursting," Latitude 30 18', No. 5, 38.

                "Luneros," Latitude 30 18', No. 5, 39-40.

                "Night In Vienna," Negative Capability, Vol. V, No. 4 (Fall), 126.   

    

1986        "Mandala," Pax, Vol. III, No.'s 1 & 2, 69.

                "A Little Ceremony (Ronda, Spain)," Pax, Vol. III, No.'s 1 & 2, 69.

                "A Roman Whore In The Sistine Chapel," SouthCoastPoetry Journal, No. 1, 35.

                "The Mermaid Rising," Stone Drum, Vol. I, No. 4, 62.

                "Split Papayas," KansasQuarterly, Vol. 17, No. 4, 172. 

                "R. Lowell Had," KansasQuarterly, Vol. 17, No. 4, 172-173.

                "Walking In Heat, Alien To Rain," The Cape Rock, Vol. 21, No. 1(Spring), 44.

                "Skydomed Sanctuary," A.I.D. (American Institute of Discussion) Review, 23.

                "Sappho, Swimming," Latitude 30 18', No. 6 (1986), 41. 

                "A Society Of Birds," Latitude 30 18', No. 6 (1986), 42.

                "Bor Katatomba,"Latitude 30 18', No. 6 (1986), 43.

                “Menhirs Near Carnac," Latitude 30 18', No. 6 (1986), 44.  

                "The Capitoline Athena," Latitude 30 18', No. 6 (1986), 45-46. 

                "Helladic Rite," Xavier Review, Vol. 6, No. 1 (1986), 36-37.

                "Past Me Now The Breezes Ride," The Hampden-Sydney Poetry Review, Winter, 26.

                "White World," The Hampden-Sydney Poetry Review, Winter, 27.       

  

1987        "Palm Sunday (Ronda, Spain)," The South Florida Poetry Review, Winter, 18.

                "The Dying Gaul," International Poetry Review, Spring, 111.

                "Stormwatch," International Poetry Review, Spring, 112. 

                “Naiad,"International Poetry Review, Spring, 112. 

                "When The Deer Ran The Peaks," ConchoRiverReview, Fall, 89.

    

1988        "Trojan Women: Then & Now," Stone Drum, Vol. I, No. 6 (Spring), 8.

                "The Photograph," Stone Drum, Vol. I, No. 6 (Spring), 18.

                "Gnosis," Vortex, Vol. 3 (Fall).

                "Thrown Off Track," Vortex, Vol. 3 (Fall).

                "July," Southwest Review, 71-4 (Autumn), 554-555.

                "Improvisation Before The Introit," Hampden-Sydney Poetry Review, Winter, 24-26.

      

1989        "Endurance," KansasQuarterly, Vol. 20, No. 3, 82.

                "March," The Texas Observer, 24 March, 19.

                "Winter Refrain," Stone Country, Spring-Summer, 21.

                "Oil Field Road Off Clyte Escarpment," The Texas Observer, 15 Sept., 11.

                "Hunting At Night With Matt By Light And By Hand," The Texas Observer, 15 Sept., 11.

                "Cycles," The Texas Observer, 15 Sept., 11.

      

1990        “Joseph And Child," TexasReview, Vol. X, No.'s 3&4 (Fall/Winter 1989), 71.

                "Medea In Taos," Blue Mesa Review, May 1990, 130-131. 

                "Sounion," SouthCoastPoetry Journal, No. 9, 7.

                "June," ConchoRiverReview, Vol. IV, No. 2 (Fall), 105.       

 

1991        “How To Make Coq Au Vin," Grasslands Review, No. 4, 24-25.

                "The Matrix," Epiphany, Winter, 34-35.

                "Halibut Point," Epiphany, Winter, 36.

                "Spring Rite," Epiphany, Winter, 37-38.

                "Flu," Epiphany, Winter, 39-41.

                "November," The Texas Observer, 23 August, 23.

"Note From Lorenzo, After Hearing Friends In The States Are Having Anxiety Fits," The Prose Poem, No. 1, n.p.       

      

1992        "Dust Storm Across The Tigris," RiverSedge, Vol. 6, No. 1, 7-13.

                "Grandfather's Play," RiverSedge, Vol. 1, No. 2.

                "Period Piece," rpt. in Grasslands Review (Fall).

                "Letter From Lorenzo, After Hearing Friends In The States Are Having Anxiety Fits," American Literary                                        Review, Vol. 3, No. 2 (Fall), 102.

                "January," Borderlands, No. 1 (Fall), 36.

 

1993        “Nimrud," TexasCollegeEnglish, N.S. Vol. 26, No. 1 (Fall), 21.

                “April," TexasCollegeEnglish, N.S. Vol. 26, No. 1 (Fall), 21.

      

1994        "Flyfishing," Hellas, Vol. 4, No. 2 (Fall 1993), 69.

                “Emily's Gift," American Literary Review, Vol. 5, No. 1 (Spring): 68-69.

                "Resurrection," American Literary Review, Vol. 5, No. 1 (Spring): 70.

                "Motel," ConchoRiverReview (Spring): 79.

                "Miss Katie," The Texas Observer, 14 October, 23.

                "The Chinese Bridge," The Texas Observer, 14 October, 23.

                "Andalusian Rain," Phase & Cycle, Vol. VII, No. 2 (Fall-Winter),26.

 

1995        "Dove Hunting Each Labor Day," Manoa, VII-1 (Summer), 71-72.

                "Sand Bar On The Tigris," Manoa, VII-1 (Summer), 72-73.

 

1996        “His Final Room,” Manoa, VIII-2 (Winter), 101-102.

                “Vigil And Sleep,” Manoa, VIII-2 (Winter), 102.

 

1997        “Mass Of Trees At Eastham (E. Hopper),” The Prague Revue 4 (Autumn/Winter 1996-97), 144-145.

                “Night In The Park (E. Hopper),” Borderlands, No. 9 (Spring/Summer): 47.                             

                “Moonlight Interior (E. Hopper),” Borderlands, No. 9 (Spring/Summer): 48.

                “Anniversary Trip,” Blue Mesa Review,

 

1998        “Shifts of Perception,” Troubadour, I—2 (Spring/Summer): 49.

                “Naiad,” Hawai’iReview 21.1: 180. 

                “Carolina Morning (E. Hopper),” Crab Creek Review, XI1: 87.

                “Golden Crown,” The Texas Observer,19 June: 25.

                “Approaching A City (E. Hopper),” Manoa, 10:1 (Summer): 17.

                “Chair Car (E. Hopper),” Manoa, 10-1 (Summer): 18.

                “At First, A Bewildering Chill,” Suddenly: 16.

                “One Table Over, I Heard Her Say,” Suddenly: 17.

                “Snake,” Suddenly: 18.

                “Storm Watch,” Clackamas Literary Review II-2 (Fall): 103.

                “Sea Watchers (E. Hopper),” Clackamas Literary Review II-2 (Fall): 104.

 

1999        “The City (E. Hopper),” Windhover III (Spring): 44.

                “Freight Cars, Gloucester (E. Hopper),” Windhover III (Spring): 45.

                “Italian Quarter, Gloucester (E. Hopper),” Windhover III (Spring): 46.

                “Two Comedians (E. Hopper), Janus Head I-3 (Spring): 297.

                “Nighthawks (E. Hopper),” Janus Head I-3 (Spring): 298.

                “Acrophobia,” Roundup: An Anthology of Texas Poets From 1973 until 1998, ed. by Dave Oliphant. Cedar                                                 Park: Prickly Pear: 94-95.    

                “Rooms By The Sea (E. Hopper), ” Faultline, No. 8: 38.

                “May,” TexasPoetry Calendar 2000 (Fredericksburg: Flying Cow Productions, 1999): n.p.

                “The Pond Across The Street,” Suddenly II: 11.

                “Doorways In Seville,” Suddenly II: 12.

                “Acrophobia,” Chaminade Literary Review, No.’s 20 & 21: 85-86.

                “Alfresco,” Janus Head 2-2: 359.

                “Lying Indolent At The Squall Line,” Janus Head 2-2: 360.

                “Spring In Chihuahua,” Janus Head 2-2: 360-361.

                “Living In Ambiguity,” New Texas ‘99: 176.

                “Chameleon, Sounding Summer’s Heat,” New Texas ‘99: 176.

 

2000        “East Wind Over Weehawken (E. Hopper),” The Cape Rock 32-2 (Fall 1997): 12.

                “Short Letter From Northern Iraq,” Suddenly III: 97.

                “Rain In A Sunlit Sky In Havana,” Suddenly III: 98.

                “A Matter Of Translation,” Suddenly III: 99-100.

“Storm Watch,” rpt. in A Writer’s Country, ed. by Jeff Knorr and Tim Schell (Upper Saddle River, NJ: Prentice-Hall): 141.

                “Sandstorm,” Fort Worth Star-Telegram 10 Sept.: E8.

                “Weathers,” Fort WorthStar-Telegram 10 Sept.: E8.

                “Mid-June, Morning Run,” Fort Worth Star-Telegram 10 Sept.: E8.

                “Outside The Public Library,” Fort Worth Star-Telegram 10 Sept.: E8.

                “Riposte,” Image: A Journal of the Arts & Religion, No. 27: 41-42.

                “Church of San Esteban (E. Hopper),” Image: A Journal of the Arts & Religion, No. 27: 42-43.

                “Sun In An Empty Room (E. Hopper),” Image: A Journal of the Arts & Religion, No. 27: 43-44.

                “Skiing The Bayou,” Tex!  3:1 (Fall/Winter): 23.

                “Wild Honey,” Tex! 3: 1 (Fall/Winter): 23.

                “Louisiana Dawn,” Clackamas Literary Review IV: 11 (Fall/Winter): 138.

                “Ranch Walk,” The Lucid Stone 24 (Winter): 13.

                “High Noon (E. Hopper),” New Texas 2000: 258.

                “Hotel Window (E. Hopper),” English In Texas (Fall/Winter) 30-2: 42.

                “Seven A.M. (E. Hopper),” English In Texas (Fall/Winter) 30-2: 42.

                “Room In Brooklyn (E. Hopper), English In Texas (Fall/Winter) 30-2: 42.

                “Doorways In Seville,” English In Texas (Fall/Winter) 30-2: 43.

                “Springburst,” English In Texas (Fall/Winter) 30-2: 43.

                “Moving Into The Climb,” English In Texas (Fall/Winter) 30-2: 43.

 

2001        “Training Ride,” Aethlon XVII-2: 100.

                “Mysteries Of Attachment,” 2001: a di-verse-city Odyssey (Austin International Poetry Festival                                                      Anthology): 39.

                “Parallel Wiring,” Suddenly, No. 4: 103.

                “Points Of Resistance,” Suddenly, No. 4: 104.

                “Running The Peaks Of The Moon,” Suddenly, No. 4: 105-106.

 

2002        “The Draw Of Darkness,” The Windhover VI: 39.

                “Twilight,” The Windhover VI: 40.

                “Redtail Hawk,” New Texas 2001: 36.

                “Spring Storms,” New Texas 2001: 36.

                “A Norther Approaching,” Texas: Houston Chronicle Magazine, 17 March: 12.

                “Shifting Seasons In Chihuahua,”Iron Horse Literary Review 3-2: 3.

                “Breaking The Ice,” Descant 41: 94-95.

Texas In Poetry 2, ed. by Billy Bob Hill (Ft. Worth: TCU Press, 2002): “Anniversary Trip” 173-174; “Dove Hunting Each Labor Day” 47-49; “Eye of the Tornado” 411-413; “November” 83; “Oil Field Road Off Clyte Escarpment” 110-111.

                “A Rite of Confession,” Southwest Review 87: 2&3: 267.

                “English Wit,” New Texas 2002: 189.

                “The Breath Of God,” Indianapolis: Colla Voce. Anthem, music by James Mulholland.

                “Afternoon, Late May,”  Windhover 7: 164.

                “The Voice of the Night,” Windhover 7: 165.

 

2003        “The River On Us,” Suddenly 5: 99.

                “Domestic Diversion,” Descant 42: 38.

 

2004        “Wearing The River,” Is This Forever, Or What? Ed. Naomi Shihab Nye. New York: Greenwillow   

                                 Books / HarperCollins, 2004: 55.

                “Evening Wind (E. Hopper),” Langdon Review of the Arts in Texas, Vol. 1: 25.

                “Four Lane Road (E. Hopper),” Langdon Review of the Arts in Texas, Vol. 1: 26.

                “Eleven A.M. (E. Hopper),” Langdon Review of the Arts in Texas, Vol. 1: 27.

                “Cape Cod Evening (E. Hopper),” Langdon Review of the Arts in Texas, Vol. 1: 28.

                “Sunlight in a Cafeteria (E. Hopper),” Langdon Review of the Arts in Texas, Vol. 1: 29-30.

                “Office in a Small City (E. Hopper),” Langdon Review of the Arts in Texas, Vol. 1: 31.

 

2005        “When Even One Is Hit,” Janus Head 7(2): 488.

                “Dome And Faucet: A Ghazal,” Janus Head 7(2): 489.

                “Once, In Downtown Mosul,” Janus Head 7(2): 490.

                “Winnowing Wheat,” Janus Head 7(2): 491.

                “On The Edge At Sounion,” Janus Head 7(2): 492.

“Touching Different Worlds,” di-verse-city (anthology of the Austin International Poetry Festival 2005:

 39.

                “Sky Over Knossos,” Windhover, Vols. 9 & 10 (2006): 258-259.

                “Susanna And The Elders, Windhover, Vols. 9 & 10 (2006): 260.

 

2006

 

“Nineveh, On Fire Again,” Harvard Review, No. 32: 17.

“House By The Railroad (E.Hopper on his 1925 oil),” Descant, vol. 46: 48.

                rpt. of “Anniversary Trip,” in A Students’ Treasury of Texas Poetry, ed. Billy Bob Hill (Ft. Worth:

                                TCU Press, 2007):102-103.

                rpt. of “November,” inA Students’ Treasury of Texas Poetry, ed. Billy Bob Hill (Ft. Worth:

                                TCU Press, 2007): 117.

 

2008        “A Terror Fills The Air,” The Dirty Goat, No. 18: 1. 

“Locomotive, D. & R.G. (Edward Hopper on his 1925 watercolor),” The Dirty Goat, No. 18: 2.                

                 “City Sunlight (Edward Hopper on his 1954 oil),” The Dirty Goat, No. 18: 3.    

                 “Memories of Mosul: A Ghazal,” The Seventh Quarry (Swansea, Wales), No. 7: 27-28.       

                 “Soon After Rain: A Pantoum,” Cutthroat: A Journal of the Arts, Vol. 4, No. 1 (Spring).

                  “A Clown Show In The Sky,” Slant: A Journal of Poetry, Vol. XXII (Summer):  39.

                “The Old Model,” Articulate (The Blanton Museum of Art Magazine), Summer: 11.

                “Hotter’n Hell Hundred,” TexasPoetry Calendar 2009. Ed. Scott Wiggerman and Cindy Huyser  (Austin:                                     Dos Gatos Press, 2008), n.p.

                “Father-Son Talk: A Ghazal,” Southwestern American Literature, Vol. 33, No. 2 (Spring): 109.

                “Summer Evening: Edward Hopper on his 1947 oil),” Southwestern American Literature, Vol. 33, No. 2                                           (Spring): 110.

“Night On The El Train: Edward Hopper on his 1920 etching),” Southwestern American Literature, Vol.                                         33, No. 2 (Spring): 111.

“This Alien Place Called Home,” Two Southwests, ed. by Steven Schroeder et al.: 42.

“Anniversary Trip,” rpt. in Two Southwests, ed. by Steven Schroeder et al.: 44.

“Red-tailed Hawk,” rpt. in Two Southwests, ed. by Steven Schroeder et al. 85.

“May,” rpt. in Big Land, Big Sky, Big Hair: Best of The Texas Poetry Calendar. Ed. Scott Wiggerman. 

                Austin: Dos Gatos, 179.

“Leaving The Lincoln Memorial,” ConchoRiverReview (Fall 2008): 104-105.

 

2009        “A Curious Man: (Robert Hooke, 1635 – 1703)” The Seventh Quarry. No. 9: 21.

                “Dark Drifting Clouds,” Wichita FallsLiterary and Arts Review (Spring): 70.

                “ First Freeze,” Wichita FallsLiterary  and Arts Review (Spring): 71.

                “A Finely Cold Will: Artemisia Gentileschi’s oil, “Judith Slaying Holofernes,” c. 1620.” Borderlands, No.                                        32 (Spring/Summer): 36.

                “The Spears of Zeus,” New Texas: 13.

                “Seasonal Changes,” New Texas: 14.

                “Bull Riding At The Atkeison’s Ranch,” The Blue Rock Review 5-1: 54.

 

2010        “The Sensual Miracle (Artemisia Gentileschi’s oil, Madonna and Child, c. 1609),” WFLAR Wichita Falls                                        Literary and Art Review Winter 2010: 38.

                “God’s Mystery,” Windhover: 42.

                “New Music In The Air,”  Windhover: 59.

               

ANTHEMS, S0NGS, etc.

 

                “The Breath of God,” music by James Mulholland. Ft. Worth: University Christian Church, 29 Sept. 2002.

                “The Lord Is Near,” music by Kiyo Watanabe. Wichita Falls: 1^st United Methodist Church, 9 Jan. 2005.

                “Earth and Wind,” music by Kiyo Watanabe. Wichita Falls: 1^st United Methodist Church, 25 Sept. 2005.

“Alive With God,” music by Kiyo Watanabe. Wichita Falls: Floral Heights United Methodist Church, 23

Oct. 2005.

                “This Sanctuary,” music by Kiyo Watanabe. Wichita Falls: 1^st United Methodist Church. spring.

                             “Guide Me To The Cross,” music by Kiyo Watanabe: Wichita Falls: 1^st United Methodist Church, 5 Nov. 2006. Choral Response.

“The Presence of God,” music by Kiyo Watanabe. Wichita Falls: 1^st United Methodist Church, 26 Nov.  2006.

 “When We’re At Sea,” music by Kiyo Watanabe. Wichita Falls: 1^st United Methodist Church, 11 Feb.            2007.

Three Songs:  “Grandfather’s Play,” “Miss Katie,” “How To Make Coq au Vin,” music by Dan Welcher, Texas Composers Concert. Richardson: University of Texas at Dallas, 4 April 2007.

                            “The Voice Within Us,” music by Kiyo Watanabe. Wichita Falls: 1^st United Methodist Church, 3 June 2007.

                            “The Blessings of the Morning,” introit, music by Kiyo Watanabe. Wichita Falls: 1^st United Methodist Church, 24 June 2007.

                “God’s Mystery,” music by Kiyo Watanabe. Wichita Falls: 1^st United Methodist Church, 24 June 2007.

“Singing In The Mystery,” music by Kiyo Watanabe. Chapel Choir. Wichita Falls: 1^st United Methodist 

            Church, 7 Oct. 2007.

“Our Rains and Droughts,” music by Kiyo Watanabe. Chancel Choir. Wichita Falls: 1^st United Methodist

              Church, 28 Oct. 2007.

                “The Lord With Us,” music by Kiyo Watanabe. Adult choir, 1^st United Methodist Church, Jacksboro, TX,

                                18 Nov. 2007. Commissioned.

“New Music In The Air,” music by Kiyo Watanabe. Kristen Gossett and Ann Clarkson. 1^st United

                Methodist Church, Wichita Falls, TX, 25 November 2007.

                “The Simpler Things,” music by Kiyo Watanabe. Choir with string quartet. 1^st United Methodist Church,                                        Wichita  Falls, TX, 27 January 2008.

                “The Thousand Ways,” music by Kiyo Watanabe. Chancel Choir. Wichita Falls: 1^st United Methodist                                            Church, 27 April 2008.

                “Again And Yet Again,” music by Kiyo Watanabe. The Chamber Singers, Wichita Falls: 1^st United                                                  Methodist Church, 4 May 2008.

                “The Lord With Us,” music by Kiyo Watanabe.  Chancel Choir, Wichita Falls: 1^st United Methodist                                                 Church,  8 June 2008.

“With Them By The Manger,” music by Kiyo Watanabe. Trinity, Wesley, Chapel and Chancel choirs, and                                    handbells, Wichita Falls: 1^st United Methodist Church, 7 Dec. 2008.

“The Joy God Gives,” music by Kiyo Watanabe (Ann Clarkson, soprano; Gail Key, violin. Wichita Falls:                                        1^st United Methodist Church,  4 January 2009.

“Bells Ring As We Sing,” music by Kiyo Watanabe, Chancel and Chapel choirs . Wichita Falls: 1st United                    Methodist Church,, 6 December 2009.

 

 

 

 

 

                TRANSLATIONS

      

1977        "Ocular Landscape," trans. of Paisaje ocular by Oscar Hahn, Sam Houston Literary Review, Vol. II, No. 2                                     (Nov.): 15.       

 

1979        “The Drunk," trans. of El emborrachado by Oscar Hahn, Latin American Literary Review, Vol. VI, No. 11:                    115.

                 "Primal Force," trans. of El viviente by Oscar Hahn, Latin American Literary Review, Vol. VI, No. 11:                                             116.

                 "Doves Of Peace," trans. of Palomas de la paz by Oscar Hahn, Latin American Literary Review, Vol. VI,                                      No. 11: 116-117. 

               "Don Juan," trans. of Don Juan by Oscar Hahn, Latin American Literary Review, Vol. VI, No. 11: 117-                                             118.

"Geometric Water," trans. of Agua geometrica by Oscar Hahn, Latin American Literary Review, Vol. VI, No. 11: 118.

               "Conjurer's Tract," trans. of Tractatus de sortilegiis by Oscar Hahn, Alembic, No. 4: 35.

               "Perpetual Motion," trans. of Movimiento perpetuo by Oscar Hahn,Alembic, No. 4: 36.

               "Boxing Ring," trans. of Cuadrilatero by Oscar Hahn, Alembic, No. 4: 38.

                 "Adolph Hitler Meditates On The Jewish Problem," trans. of Adolfo Hitler medita en el problema judio by                  Oscar Hahn, Alembic, No. 4: 39.

 "The Butchers' Reincarnation," trans. of Reencarnación de los carniceros by Oscar Hahn, Alembic, No. 4: 40.

                 "The Little Angel's Wake," trans. of Velorio del angelito by Oscar Hahn,Alembic, No. 4: 42-43.

                  "In Such A Way My Reason Weakens," trans. of De tal manera mi razon enflaquece by Oscar Hahn,                          Alembic, No. 4: 43.       

 

1980         "The Shoeshine-Boy's Go-Between," trans. of Correveidile del  lustrabotas by Oscar Hahn, Cedar Rock,                                                    Spring, 18.  

                 "Vision of Hiroshima," trans. of Visión de Hiroshima by Oscar Hahn, Stardancer, No.'s 5/6: 85-86.

                  "Either Blood's Snow Or Snow's Blood," trans. of  O purpura nevada o nieve roja by Oscar Hahn, in                                            Stardancer, No.'s 5/6: 86.

      

1981        "Adolph Hitler Meditates On The Jewish Problem," reprinted in Anthology of Magazine Verse & Yearbook                                 of American Poetry  (Beverly Hills, CA: Monitor Book Co.): 174.

      

1982        "Photography," trans. of Fotografia by Oscar Hahn, Stone Country, Vol. 9, No.'s 1/2 (Fall/Winter): 36.

                 "Birth Of The Phantom," trans. of Nacimiento del fantasma by Oscar  Hahn, Puerto Del Sol, Summer: 99.

                 "Phantom In The Form Of A Shirt," trans. of Fantasma en forma de camisa by Oscar Hahn,Puerto Del                                         Sol, Summer: 101.       

 

1983         "Cleopatra," trans. of Cleopatra by Salvador Diaz Miron, The TexasObserver, 22 July, 22.

                 "At One My Fortune, At Two Your Watch," trans. of A la una mi  fortuna, a las dos tu reloj by Oscar                                           Hahn, Mundus Artium, Vol. XIV, No. 1: 24.

                 “Good Night Dear,” trans. of Buenas noches hermosa by Oscar Hahn, Mundus Artium, Vol. XIV, No. 1:                                         25.

                 "Commemoration," trans. of Conmemoración by Salvador Diaz Miron, Xavier Review, Vol. 3, No. 1: 14.

     

1984         "Phantom Shaped Like A Cover," trans. of Fantasma en forma de funda by Oscar Hahn, The Texas                                                Observer, 14 Dec.: 77.       

 

1985        "Comet," trans. ofCometa by Oscar Hahn, New Letters, Vol. 51, No. 4 (Summer): 109.

"The Flaming Corpse," trans. of El muerto en incendio by Oscar Hahn,  New Letters, Vol. 51, No. 4 (Summer): 109-110.       

 

1987        "Miss Rebecca," trans. of La senorita Rebecca by Jorge Diaz Herrera,  in From The Threshold:                                                        Contemporary Peruvian Fiction in Translation, ed. Luis Ramos-Garcia and Luis Fernando Vidal                                     (Austin &  Lima:       Studia Hispanica): 77-79.

             "Someone Crosses The Street," trans. of Alguien cruza la calle by  Santiago Mereno Acevedo, in From The                   Threshold: Contemporary Peruvian Fiction in Translation: 123-124.

             "Maida Sola," trans. of Maida Sola by Fernando Ampuero, in From The Threshold: Contemporary Peruvian                                 Fiction in Translation: 193-194.

              "Flat Blue," trans. of Barbara azul by Oscar Hahn, in International  Poetry Review, Spring: 27.

                "The Center of the Bedroom," trans. of El centrodel dormitorio by Oscar Hahn, in International Poetry                       Review, Spring: 29.

                "Consumer Society," trans. of Sociedad de consumo by Oscar Hahn, in International Poetry Review,                                            Spring: 3l.

                "The Warrior's Rest," trans. of El reposo de guerrero by Oscar Hahn, in International Poetry Review,                                           Spring: 3l.

"That Will Be All," trans. of Eso seria todo by Oscar Hahn, in Crosscurrents (Literary Olympians II Anthology): 469.   

                "Places Are Neither Here Nor There," trans. of Ningun lugar esta aqui o esta ahi by Oscar Hahn, in                               Crosscurrents (Literary  Olympians II) Anthology: 471.

      

1989        "To Countless Heroes," trans. of A los heroes sin nombre by Salvador Diaz Miron, in The Texas Observer                                     28 April: 8.

                "Baroque Body," trans. of Cuerpo barroco by Julio Ortega, in StoneCountry, Spring-Summer: 23.

                "Fragments Of Heraclitus To Hurl Against The Sky," trans. of Fragmentos de Heraclito al estrellarse                                            contra el cielo by Oscar Hahn, in Vortex IV-V, Affinities section: "Windows of Translation": n.p.

               "For Eduardo Ordonez," trans. of A Eduardo Ordonez by Julio Ortega, in Vortex IV-V, Affinities section:                                        "Windows of Translation":  n.p.

      

1990        "History Class," trans. of Clase de Historia by Tino Villanueva, in The Texas Observer, 16 Sept.: 15.

      

1991        "The Errand," trans. of El mandado by Tino Villanueva, in RE: Arts & Letters, Vol. XVII-1 (Spring): 118,                                          120.

"In The Chiaroscuro of the Years," trans. of En el claroscuro de los aZosby Tino Villanueva, in RE: Arts & Letters, Vol. XVII-1 (Spring): 122.

              "Spirit's Ecology," trans. of Ecología del espiritu by  Oscar Hahn, in Colorado Review, n.s. Vol. VIII, No. 1                       (Spring/Summer): 85.

                "Southern Pier," trans. of Embarcadero del sur by Julio Ortega, in The Texas Observer, 23 August: 23.

 

1992        "John Lennon (1949-1980)," trans. of John Lennon (1949-1980) by Oscar Hahn, in Literary Olympians                                         1992 (Boston: Ford-Brown & Co.): 45.

 "Danger," trans. of Peligro by Enrique Jaramillo-Levi, in Literary Olympians 1992 (Boston: Ford-Brown & Co.): 179.

 

                "Song To Eat Fish By," trans. of Canción para comer pescado by Julio Ortega, in Literary Olympians 1992                                 (Boston: Ford-Brown & Co.): 184.

              "Nicaragua," trans. ofNicaragua by Hector Manjarrez, inManoa,Vol. 4, No. 2 (Fall): 143-150.

 

1993      "You, If No One Else," trans. of Tú, por si no otro by Tino Villanueva, in TriQuarterly 86 (Winter                                      1992/93): 92.

                "Promised Lands," trans. of Tierras prometidas by Tino Villanueva, in TriQuarterly 86 (Winter 1992/93):                                         93-95.

                "Convocation Of Words," trans. ofConvocación de palabras by Tino Villanueva, in TriQuarterly 86                                             (Winter 1992/93): 96-97. 

"Visions Of Saint Narcissus," trans. of Visiones de San Narciso by Oscar Hahn, in Xavier Review, Vol. 13, No. 1: 62.       

 

1994        "The Bongo," trans. of El bongo by Carlos Salazar Herrera, in Costa Rica: A Traveler's Literary                                                      Companion, ed. by Barbara Ras (SanFrancisco: Whereabouts Press): 81-84.

                "The Carbonero," trans. of El carbonero by Carlos Salazar Herrera, in Costa Rica: A Traveler's Literary                        Companion, ed. by Barbara Ras (San Francisco: Whereabouts Press): 101-109.

“From Deeper Than Skin," trans. of Más abajo de la piel by Abel Pacheco, inCosta Rica: A Traveler's Literary Companion, ed. by Barbara Ras (San Francisco: Whereabouts Press): 136-146.

                "Vicente Huidobro, Marian Poet," trans. of Vicente Huidobro, poeta mariano (from Texto sobre texto), in                     Xavier Review, Vol. 13, No. 2 (Fall 1993): 67-73.

                "Big Tears," trans. of Para llorar by Rafael Pérez Gay, inPyramids of Glass: Short Fiction From Modern                                     Mexico, ed. by David Bowen (San Antonio: Corona): 54-60.

 

1995        “In The Chiaroscuro Of The Years,” trans. of En el claroscuro de losaZosby Tino Villanueva, in                                                     Massachusetts Review, XXXVI-4 (Winter 1995-96): 651.

“I Only Know That Now,” trans. of Sólo sé que ahora by Tino Villanueva, in Massachusetts Review, XXXVI-4 (Winter 1995-96): 653.

 

1996        “A Private Song For A Summer Afternoon,” trans. of Canto intima de la tarde veraniega by Raúl Mesa, in                  Graham House Review, No.19 (Winter 1995-96): 70.

“Julio Cortázar In Communicant Worlds,” trans. of Julio Cortázar en los mundos comunicantes by Oscar Hahn, in The Prague Revue, No.2, (Winter 1996): 31-40.

“To A Santiago Washerwoman,” trans. of A una lavandera de Santiago  by Oscar Hahn, in Two Lines (Spring): 75.

                “Of Candles And Lilies,” trans. of De cirios y de lirios by Oscar Hahn, in Two Lines (Spring): 77.

                “A Crow’s Or Buzzard’s Get,” trans. Of Descendiente de cuervo o gallinazo by Oscar Hahn, in Two Lines                                     (Spring): 79.          

                “A Pensive Drowned Man Sometimes Sinks,” trans. of “Un ahogadopensativo a veces desciende by Oscar                                 Hahn, in Americas Review.

                “Evening Meditation,” trans. of Meditación al atardecer by Oscar Hahn, in Manoa, Vol. 8, No. 2                                                    (Summer): 42-43. 

                “Expulsion From Paradise,” trans. of La expulsión del Paraíso by Oscar Hahn, in Manoa, Vol. 8, No. 1                                           (Summer): 43.       

                “Seated Figure, Chin In Hand,” trans. of Figura sentada con lasmanos en la barbilla by Oscar Hahn, in                                        Manoa, Vol. 8, No. 1 (Summer): 44.

                “Hourglass,” trans. of Reloj de arena by Oscar Hahn, in Manoa, Vol. 8, No. 1 (Summer): 44.

                “Limitation Of Nocturnal Displacements,” trans. of Restricción delos desplazamientos nocturnos by Oscar                                   Hahn, in Manoa, Vol. 8, No. 1 (Summer): 45.

 

1997        “Praying Mantis,” trans. of La mantis religiosa by Oscar Hahn, inACM (Another Chicago Magazine)No.’s                                                 32/33 (Spring & Summer: 143.

“‘The Annunciation’ According To Fra Angelico,” trans. of “La annunciación’” según Fra Angelico (s.                                      SV), Exchanges No.9 (Fall): 88.

                “Crippled Sonnet,” trans. of Soneto manco by Oscar Hahn,Exchanges No. 9 (Fall): 90.

“Heartbreak Hotel,” trans. of Hotel de las nostalgias by Oscar Hahn, Piedmont Literary Review, Vol. XXI, No. 1: 9.

                “In The Chiaroscuro of the Years,” trans. of En el claroscuro de losaZosby Tino Villanueva, in El Coro: A                                   Chorus of Latino and Latina Poetry, ed. By Martín Espada. Amherest: U of Massachusetts P,                                         1997: 149, 151.

“I Only Know That Now,” trans. of Sólo sé que ahora by TinoVillanueva, in El Coro: A Chorus Of Latino and Latina Poetry, ed. By Martín Espada. Amherst: U of Massachusetts P, 1997: 153.

 

1998        "Old Year 1973,” trans. of AZo viejo 1973by Oscar Hahn, in Two Lines, Spring: 97.

                “Oral Hygiene,” trans. of Higiene bucal by Oscar Hahn, in Two Lines, Spring: 99.

                “May Memory Protect Me,” trans. of Que me valga la memoria by TinoVillanueva, in Verse, Vol. XV,                                             No.’s 1&2: 219.

 

1999        “Litany For A Dead Poet,” trans. of Letanía para un poeta difunto by Oscar Hahn, in Clackamas Literary                                    Review III-1: 5.

                “Rocking Chair,” trans. of Silla mecedora by Oscar Hahn,  in Clackamas Literary Review III-1: 7

                “Sigmund Freud Under Hypnosis,” trans. of Sigmund Freud bajo hipnosis by Oscar Hahn,  in Clackamas                                    Literary Review III-1:                          9.            

                “At The Nudist Beach Of The Unconscious,” trans. of En la playa nudista del inconsciente by Oscar Hahn,                                                in ClackamasLiterary Review III-2: 11.

                “This Candle Burns,” trans. of Enciende esta vela by Osvaldo R. Sabino, in Clackamas Literary Review:                                      III:2: 13.

                “Chameleon Posing With A Passport,” trans. of Pose de camaleón con pasaport by Osvaldo R. Sabino, in                                    Clackamas Literary Review III-1: 15

                “Incomprehension Of The Interior Landscape,”trans. of Incomprehensión del paisaje interior by Osvaldo                                   R. Sabino, in Clackamas Literary Review III-1: 17.

“She’s Afraid And Believes In Her Dreams,” trans. of Tiene miedo y cree en sus sueZos by Osvaldo R. Sabino,  inClackamas Literary Review III-1: 19.

 

2000        “I Only Know That Now,” trans. of  Sólo sé que ahora by Tino Villanueva, in  Prentice—Hall Literature:                     Timeless Voices, Timeless Themes: Platinum (Upper Saddle River, NJ: Prentice-Hall): 973.

                “While The Rain Lasts,” trans. of Mientras la lluvia dure by Felipe Hernández, in Icarus I-1 (Spring): 78.

                “Waking Up,” trans. of Despertar by Felipe Hernández, in Icarus I-1 (Spring): 80.

                “At The Edge Of The City,” trans. of En la frontera de la ciudad by Felipe Hernández, in Icarus I-1

(Spring): 82.

                “I Was Baptized,” trans. of Fui bautizado by Felipe Hernández, in Icarus I-1 (Spring): 84.

                “Sometimes A Bandit,” trans. of A veces un bandido by Felipe Hernández, in Icarus I-1 (Spring): 86.

                “He’s In The Middle Of The Garden,” trans.of En medio del jardín está by Felipe Hernández, in Icarus I-1                                     (Spring): 88.

                “I’ve Lost Her,” trans. of La he perdido by Felipe Hernández, in Icarus I-1 (Spring): 90.

                “Whorehouse Lore,” trans. of Fabula del lenocinio by Oscar Hahn, in Mississippi Review 28-3: 24-25.

                “Flora and Fauna,” trans. of Flora y fauna by Oscar Hahn, in Mississippi Review 28-3: 26-27.

“Convocation of Words,” trans. of Convocación de palabras by Tino Villanueva, in The Multilingual Anthology of American Literature, ed. Marc Shell and Werner Sollors (New York: New York UP, 2000): 681, 683.

 

2001        “History Class,” trans. of Clase de historia by Tino Villanueva, in American Diaspora: Poetry of                                                    Displacement, ed. Virgil Suárez and Ryan G. Van Cleave, U of Iowa P: 100-103.

                “You, If No One Else,” trans.of Tú, por si no otro by Tino Villanueva, in American Diaspora: Poetry of                                          Displacement, ed. Virgil Suárez and Ryan G. Van Cleave, U of Iowa P: 178-179.

 

2003        “Bone,” trans. of Hueso by Oscar Hahn, in World Literature Today Magazine (April–June): 30.

                “Spiders,” trans. of AraZasby Oscar Hahn, in World Literature Today Magazine (April–June): 30.

                “Violin,” trans. of Violín by Oscar Hahn, in World Literature Today Magazine (April–June): 30.

“Self-Portrait by Van Gogh,” trans. of Autorretrato de Van Gogh by Oscar Hahn, in Arts & Letters 9 (Spring):  143+.

                “The Mourner,” trans. of El doliente by Oscar Hahn, in Arts & Letters 9  (Spring): 147.

“Death’s A Good Teacher,” trans. of La Muerte es una buena maestra by Oscar Hahn, in Arts & Letters 9 (Spring): 149+.

                “The Exorcist,” trans. of El exorcista by Oscar Hahn, in Tameme I-3 (Reconquest): 85.

“Despair,” trans. of Desesperanza by Lourdes Arencibia Rodríguez, in Southern Humanities Review 37-2: 160.

 

2004        “The Encounter,” trans. of El encuentro by Oscar Hahn, in Poetry East 52: 43.

                “The Body Asks The Soul,” trans. of El cuerpo le pregunta al alma by Oscar Hahn, in Chelsea 76: 130.

                “Cello,” trans. of Cello by Oscar Hahn, in Chelsea 76: 131.

                “Looking Through The Window,” trans. of Mirando por la ventana by Oscar Hahn, in Chelsea 76: 132.

“Notes In Rimbaud’s Diary,” trans. of Anotaciones en el diario de Rimbaud by Oscar Hahn, in Harvard Review 27: 58-59.

 

2005        “August Song,” trans. of Canción de Agosto by Oscar Hahn, in Words Without Borders February.

“Good Night Dear,” “Little Phantoms,” “Candlelight Dinner,” trans. of three poems by Oscar Hahn, in The Poetry of Men’s Lives: An International Anthology, ed. by Fred Moramarco and Al Zolynas (Athens and London: U of Georgia P, 2005): 161-163.

                “Wedding Album,” trans. of Álbum de matrimonio by Oscar Hahn, in Harvard Review 28: 122.

                “The Insects’ Wisdom, trans. of Sabiduría de los insectos by Oscar Hahn, in Harvard Review 28: 123.

 

2006        “Milky Way,” trans. of Vía láctea by Oscar Hahn, in Mantis, a Journal of Poetry, Criticism and     Translation (Stanford), No. 5: 33.

“A Naked Passion’s Ritual Dance,” trans. of Danza ritual de una pasión encuera by Lourdes Arencibia Rodriguez, in New Laurel Review (New Orleans), Vo. XXIII.

 

2007        “Weather Report,” trans. of Meteorologico informe by Oscar Hahn, in Words Without Borders, March.

                “Secretary of State,” trans. of Secretario de estado by Oscar Hahn, in Words Without Borders, March.

“Fantasy in Black and White,” trans. of Fantasia en negro y blanco by Oscar Hahn, in Words Without Borders, March.

                “After Goodbye,” trans. of Después del adios by Oscar Hahn, in Hofstra Hispanic Review 3.1: 103.

                “The Dreamer,” trans. of El soñador by Oscar Hahn, in Hofstra Hispanic Review 3.1: 104.

                “Ars poetica,” trans. of Arte poética by Oscar Hahn, in Hofstra Hispanic Review 3:1: 105.

                “Thread,” trans. of Hilo by Oscar Hahn, in The Dirty Goat, No. 17:  7.

“Autobiography of the Unconscious,”trans. of Autobiografía del insconsciente by Oscar Hahn, in The                        DirtyGoat, No. 17: 9, 11.

                “Man With An Umbrella,” trans. of Hombre con quitasol by Oscar Hahn, in The Dirty Goat, No. 17: 13.

                “The Glass,” trans. of  La Copa by Gabriela Mistral (1889-1957), in Poéticas de Chile / Chilean Poets

                                on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007):50.

                “Ars Poetica,” trans. of  Arte Poética by Vicente Huidobro (1893-1948), in Poéticas de Chile / Chilean                                           Poets on the Art of Poetry,  ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 53.

                “The Drunk Death,” trans. of  La muerte ebria by Julio Barrenechea (1910-1979), Poéticas de Chile /                                               Chilean Poets on the Art of Poetry, ed. by Gonzalo      Contreras (Santiago: Etnika, 2007): 78.

                “Self-Portrait,” trans. of  Autorretrato by Alfonso Alcalde ( 1921-1992), Poéticas de Chile / Chilean Poets

                                on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 110-111.

                “Why Do You Write?” trans. of ¿Por qué escribe usted? by Oscar Hahn (1938-), Poéticas de Chile /                                              Chilean Poets on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 149.

                “It All Changes,” trans. of Cambia todo cambia by Julio Numhauser (1939-), in Poéticas de Chile / Chilean                                 Poets on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 153.

                “Black Light,” trans. of Luz negra by Eduardo Carrasco (1940-), in Poéticas de Chile / Chilean                                                         Poets on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 157.

“In The Days That Run,” trans. of En los días que corren by Federico Schopf (1940--), in Poéticas de                                             Chile/ Chilean Poets on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 161.

                “To Err Is Human,” trans. of  Errare humanum est by Álvaro Peña (1943 --), in Poéticas de Chile / Chilean                   Poets on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 184.

                “The Words,” trans. of  Las palabras by Enrique Valdés (1943 --), in Poéticas de Chile / Chilean                                    Poets on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 186.

                “Close To The Style Of Last Words,” trans. of A modo casi de palabras finales by Walter Hoefler (1944-),

in Poéticas de Chile / Chilean Poets on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 192.

                “To Begin Again,” trans. of Recomenzar by Waldo Rojas (1944-), in Poéticas de Chile / Chilean                                                     Poets on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 198.

                “Ona Oracle,” trans. of Oráculo Ona by Juan Pablo Riveros (1945-), in Poéticas de Chile / Chilean                                                 Poets on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 203.

“The Dark Speaks,” trans. of El obscuro habla by Virgilio Rodríguez (1946-), in Poéticas de Chile /                                                 Chilean                 Poets on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 212.

                “I Never Show A Poem” trans. of Nunca maestro un poema by Juan Cameron, in Poéticas de Chile /                                              Chilean                 Poets on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 218.

                “Poetry,” trans. of La poesía by Eduardo Anguita (1914-1992), in Poéticas de Chile / Chilean                                                          Poets on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 433-436.

                “The Word,” trans. of  La palabra by Gonzalo Rojas (1917-), in Poéticas de Chile / Chilean                                                             Poets on the Art of Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 446-450.

                “Truly,” trans. of  De versa by Armando Uribe (1933-), in Poéticas de Chile / Chilean Poets on the Art of                                      Poetry, ed. by Gonzalo Contreras (Santiago: Etnika, 2007): 466-468.

                “St. John of the Cross Listens to Miles Davis, trans. of San Juan de la Cruz Eschuca a Miles Davis by                                          Oscar Hahn, in Chelsea (82/83): 202-203.

                “Tailor’s Shop,” trans. of Sastrería by Oscar Hahn, in Chelsea (82/83): 204.

                “Swaddling Clothes and Shrouds,´trans. of Pañales y mortajas by Oscar Hahn, in Chelsea (82/83): 205.

 

2008        “Almond Trees,” trans. of Almendros by Oscar Hahn, in The Literary Review (TLRWEB, No. 2): 4.

 

2009        “Restriction off Nocturnal Movements,” trans. of Restricción de los desplazamientos nocturnos by Oscar                                    Hahn. In The Oxford Book of Latin American Poetry. New York: Oxford UP: 431-432.

                “Conjuror’s Tract,” trans. of Tractatus de sortilegiis by Oscar Hahn. In The Oxford Book of Latin American                                 Poetry. New York: Oxford UP: 432-433.

                “Vision of Hiroshima,” trans of Visión de Hiroshima by Oscar Hahn. In The Oxford Book of Latin                                                   American Poetry. New York: Oxford UP: 433-434.

 

 

 

 

 

 

               

                                REVIEWS

      

       (Prior to 1978, dozens of book reviews in Wichita Falls Times, Texas Writers Newsletter and Southwestern American Literature)       

 

1980        The Power Exchange, novel by Alan R. Erwin (Texas Monthly Press), Wichita Falls Magazine April 1980.

                From A Limestone Ledge, essays by John Graves (Alfred A. Knopf), Wichita Falls Times 7 Dec.: 10E.

                The Unicorn, nonfiction by Nancy Hathaway (Viking), Wichita Falls Times 14 Dec.

      

1981        The Meeting At Telgte, novel by Gunter Grass (Harcourt Brace Jovanovich), Dallas Times Herald 31 May:                5L. 

                The Beast, novel by Jonathan Fast (Random House), Dallas Times Herald 21 June: 5P.

              Will's Boy, memoir by Wright Morris (Harper & Row), Dallas Times Herald 2 August: 5J.

              November 22, novel by Bryan Woolley (Seaview), Wichita Falls Times 9 August: 35.

              Love In All Its Disguises, novel by Norman Rosten (Arbor House), Dallas Times Herald 6 Sept.: 5L.

              The Silver Spooner, novel by Darcy O'Brien (Simon & Schuster), Dallas Times Herald 11 Oct.: 4K.

      

 1982       Burning The Fence, poems by Walter McDonald (Texas Tech), Dallas Times Herald 3 Jan.: 4G.

              Sketches In His Own Key, essays by Bob St. John (Shoal Creek Press),  Dallas Times Herald 10 Jan.: 5K.

              Sweet Cane, novel by Bruce McGinnis (Vanguard), Dallas Morning News  31 Jan.: 4G.

              Skycastle, novel by Steve Krantz (Macmillan), Dallas Times Herald  16 May: 4M.

                Love & Other Natural Disasters, novel by Allen Hannay (Atlantic-Little, Brown), Dallas Times Herald 27                                     June: 4P.

                Tom Mix And Pancho Villa, novel by Clifford Irving (St. Martin'sPress),Dallas Times Herald 11 July: 5M.

              The Shadow Line, novel by Laura Furman (Viking), Dallas Times  Herald 12 Sept.: 4N.

              Blind Man's Bluff, novel by Michael Adams (Imperial Palm Press), Dallas Times Herald 31 Oct.: 5M.

              Camus, biography by Patrick McCarthy (Random House), Dallas Times Herald 5 Dec.: 5N.

      

1983        Faulkner's Search For A South, nonfiction by Walter Taylor (U of  Illinois P), Dallas Times Herald 27                                           Feb:, 5N.

Solo: An American Dreamer In Europe: 1933-1934, memoir by Wright   Morris (Harper & Row), Dallas Times Herald 5 June: 4L.

                Mrs. Caliban, novel by Rachel Ingalls (Gambit), Dallas Times Herald  19 June: 4N.

              El Vago, novel by Laurence Gonzales (Atheneum), Dallas Times Herald 3 July:5N.

              Modern Baptists, novel by James Wilcox (Dial),Dallas Times Herald  17 July: 4M.

              Sam Bass, novel by Bryan Woolley (Corona), Wichita Falls Times 13 Nov.: 6F.

                A South American Trilogy, stories ed. by Luis Ramos-Garcia (Studia  Hispanica Editors), The Pawn Review                   Vol. VII, No. 3: 119-121.

                Quanah: The Serpent Eagle, novel by Paul Foreman (Northland Press), Southwest Review 68-4 (Autumn):                                    410-411.       

 

1984        This Favored Place: The Texas Hill Country, nonfiction by Elroy Bode (Shearer), Dallas Times Herald  22   Jan.: 4M.

The Greatest Honky-Tonks In Texas, nonfiction by Bill Porterfield  (Taylor), Dallas Times Herald  5 Feb.:                       4K.

                The Journeyer, novel by Gary Jennings (Atheneum), Dallas Times Herald 26 Feb. 5M.

                A Return To The Landscape, poems by Joseph Colin Murphey (Prickly Pear Press), Tellus No. 8 (Summer):                    30-32.

                 Cincinnatus: George Washington And The Enlightenment, by Gary Wills (Doubleday), DallasTimes                                            Herald  8 July: 4L.

                 James Agee, biography by Laurence Bergreen (Dutton), DallasTimes Herald 26 Aug.: 11E.

                 The Time Of My Life, essays by Bryan Woolley (Shearer), Wichita Falls Times 7 Oct.: 6F.

                 Drama review of True West by Sam Shepard, Midwestern State   University Drama Dept., The Guide Nov.:                     32-33.

                 Drama review of Servant of Two Masters by Carlo Goldoni and Tom Cone, Midwestern State University                                        Drama Dept.,The Guide Dec.: 16.

      

1985          The Chief: A Memoir of Fathers And Sons, by Lance Morrow   (Random House), Dallas Times Herald 17                                                                                    Feb.: 9C.

                 Hurrah For The Next Man Who Dies, novel by Mark Goodman (Atheneum), Dallas Times Herald 21 July:                    12C.

                 The Snowblind Moon, novel by John Byrne Cooke (Simon & Schuster), Dallas Times Herald 11 August: 11C.

                 Where Texas Meets The Sea, text by Bryan Woolley, photographs by Skeeter Hagler (Pressworks), Wichita                  Falls Times 6 Oct.: 6-F.

                 Winters Coming, Winters Gone, novel by Allen Glick (Pinnacle).Dallas Times Heral, 13 Oct.: 10C.

                  Cousins To The Kudzu, novel by William Doxey (LSU Press), Dallas Times Herald 24 Nov.: 14C.

      

 1986         Witching On Hardscrabble, poems by Walter McDonald (Spoon River), Dallas Morning New 30 March:                                     9C.

                  Deerinwater, novel by Jan Reid (Texas Monthly), Texas Writers  Newsletter No. 43 (May): 5-6.

                  Educational Myths I Have Known And Loved, essays by Baird W. Whitlock (Schocken), Dallas Morning                                 News 29 June: 11C.

                  Night Of The Luminarias, stories by Pat Carr, and The God Chaser, stories by Pat Ellis Taylor (both from                                     Slough Press),Dallas Morning News 19 Oct.: 11C.

                  Seasonal Rain & Other Stories by Robert Flynn (Corona), DallasMorning News 14 Dec.: 12C.

      

1987        Will They Love Me When I Leave?, nonfiction by C.W. Smith (Putnam), Wichita Falls Times 26 July: 5F.

      

1988        The Stranger, novel by Albert Camus, translated by Matthew Ward (Knopf), Dallas Morning News 29                                         May: 9C.

 El SueZo, poem by Sor Juana Ines de la Cruz, translated by John Campion (Thorp Springs), Duende June: 5-6.

                 After The Noise Of Saigon, poems by Walter McDonald (U Mass. P), The Texas Observer 14 Oct.: 19-20.

                The Eight Corners Of The World, novel by Gordon Weaver (Chelsea Green), Dallas Morning News 16                                           Oct., 10C.

                 Good Rockin' Tonight, stories by William Hauptman (Bantam), Wichita Falls Times & Record News 13                                        Nov.: 5F.       

 

1989         Night Landings: Poems, by Walter McDonald (Harper & Row), The Texas Observer, 19 May: 19.

                Heart's Invention: On The Poetry Of Vassar Miller(Ford Brown), Steven Ford Brown, ed., The Texas                                             Observer 15 Sept., 13-14.

                 Buffalo Nickel, novel by C.W. Smith (Poseidon/Simon & Schuster), The Texas Observe, 27 Oct.: 19-20.

                 Things We Lose, stories by Roland Sodowsky (U of Missouri P), Dallas Morning News 31 Dec.: 6-7J.

                 The Sounds of Rescue, The Signs of Hope, novel by Robert Flynn (TCU Press), The Texas Observer 20                                          April: 20.

      

1990         The Edge of the West & Other Stories of Texas, nonfiction by Bryan Woolley (Texas Western Press), The                                     Texas Observer 7 Dec.: 17.  

    

1991        Men Who Would Be Good, stories by Gordon Weaver (Triquarterly/ACP), Dallas Morning News 12 May:                                    6-7J.

                 Commonplace Mysteries: Essays, by Elroy Bode (Texas Western Press), San Antonio Express-News 1                                          Sept.: 5L.        

     

1993         The Bride Wore Crimson & Other Stories, nonfiction by Bryan Woolley (Texas Western Press), The Texas                                 Observer 3 Sept.: 20.

 All That Matters: The Texas Plains In Photographs And Poems: New and Selected Poems by Walter McDonald (Texas Tech UP), The Texas Observer 17 Sept.: 17.      

 Andalusian Poems, trans. from the Spanish versions of the Arabic by Christopher Middleton and Leticia Garza-Falcón (David R. Godine), The Texas Observer, 15 Oct.: 18.

 Four Post-Modern Poets Of Spain: A Critical Introduction WithTranslations Of The Poems, ed. and trans. by Kay Pritchett (Fayetteville and London: U of Arkansas P, 1991), in Translation Review No.'s 42 & 43: 58-60.  

 

1994        The Fermata, novel by Nicholson Baker (Random House), Dallas Morning News 30 Jan.: 8J+.

                 Without A Hero: Stories by T. Coraghessan Boyle (Viking), DallasMorning New, 8 May: 8J+.

The Andrew Poemsby Shelly Wagner (Texas Tech UP), Anecdotal Evidence by Jim Linebarger (Point                                            Riders Press), andCrazy Horse and Walt Whitman's Hands by Charlotte M. Wright (Redneck                                           Press), TexasBooks In Review Vol. XIV, No. 2 (Summer): 10.

                 Figures For The Ghost: Poems by Scott Cairns (U of Georgia P), TexasBooks In Review XIV- 3                                                       (Fall): 9.

 

1996        Wild Steps of Heaven, novel by Victor VillaseZor (Delacorte), Dallas Morning News 7 April: J8-9.

 

1997        Reflections In Dark Glass: The Life and Times of John Wesley Hardin, novel by Bruce McGinnis (U of                                          North Texas P), Texas Books InReview XVL-34 (Fall/Winter 1996): 2.

 A History of the Sweetness of the World:Poems by Michael Lieberman (Texas Review Press), TexasBooks In Review XVL-34 (Fall/Winter 1996): 20.

 

1998        The Buddha In Malibu: New & Selected Stories by William Harrison (U of Missouri P), DallasMorning                                       News 24 May:J10.

 

1999        Sojourn At Elmhurst: A Poem Sequence by Michael Lieberman (New Rivers), TexasBooks In Review                                            (Fall/Winter 1998): 28-29.

 

2000        The Blood Latitudes, a novel by William Harrison (MacMurray & Beck), The Texas Observer, 21 July: 36.

 

2001        Walter Benjamin At The Dairy Queen, by Larry McMurtry (Simon & Schuster, 1999), Southern Humanities                   Review (Winter): 90-94.

                Pretty Is As Pretty Does,a novel by Alison Clement (MacAdam/Cage, 2001),Denver Post, 7 October.

                Angels Prostate Fall, a novel by Marshall Terry (SMU), Denver Post, 16 Dec.: 1DD+.

 

2002        First Cause/Primera Causa, poems by Tino Villanueva, trans. by Lisa Horowitz (Cross-Cultural

                                Communications, 1999), Translation Review, No. 62:84-86.

                The Bullet Meant For Me,memoir by Jan Reid(Broadway Books, 2002), Denver Post 28 April: 2EE.

Sifting Through The Madness For The Word, The Line, The Way: Poems by Charles Bukowski (Ecco/HarperCollins, 2003), DenverPost 22 Dec.

 

2003       Remnant: Poemsby Michael Lieberman (The Sheep Meadow Press, 2002), TexasBooks in Review XXIII–1               (Spring): 20.

Sleep Toward Heaven, a novel by Amanda Eyre Ward (MacAdam/Cage, 2003), The Texas Observer 18 July: 24-25.

In The Image and Likeness: Fictionsand Background Noise: Poems by Saúl Yurkievich, trans. by  Cola Franzen (Catbird Press, 2003),Denver Post: 10 August.

                Anja The Liar, a novel by Thomas Moran (Riverhead, 2003), The Denver Post 12 Oct.: 12EE.

 

2004        OneMore River To Cross: The Selected Poetry of John Beecher (New South, 2003), The Denver Post 11        Jan.

                Blue Horse Dreaming: A Novel by Melanie Wallace (MacAdam/Cage), The Texas Observer 30 Jan.: 24-25.

                Myself And Strangers: A Memoir by John Graves (Knopf), The Denver Post 23 May: F11.

                The Mottled Air: Poems by Paul Christensen (Panther Creek Press), TexasBooks In Review: 22-23.

On The Wing: To The Edge of the Earth with the Peregrine Falconby Alan Tennant (Knopf), The Denver Post 5 Sept.: F15.

 

2005        Great Lonely Places of the Plains, poems by Walter McDonald, photographs by Wyman Meinzer                  (Lubbock: Texas Tech UP), Great Plains Quarterly 25.1 (Winter): 48-49.

 

2006        If You Could See Me Now: A Chronicle of Identity and Adoption, by Michael Mewshaw (Denver:                   Unbridled Books), DenverPost, 30 April.

                Twenty Questions: a novel by Alison Clement (New York: Atria Books), Denver Post, 18 June.

                Hard Country: poems by Paul Christensen (Austin: Thorp Springs Press), The Texas Observer, 6 Oct.: 29-                                     30.

 

2007        Love Hound: Poems by Olivier Welden, trans. by Dave Oliphant (Austin: Host, 2006), in Translation                                              Review, No. 72: 62-64.

 

2008        Burying The Farm: A Memoir of Chillicothe, Texas by Robert Flynn (San Antonio: Wings, 2008), in San                                       Antonio Express-News, 27 April 2008: H10.   

                259 Leaps by Alicia Kozameh, trans. by Clare Sullivan (San Antonio: Wings, 2007), in HoustonChronicle                     11 May 2008.

 

 

                PLAYS

      

       Seven plays produced, including two at the Omni Theatre Club, in New York  City, 1973; one of them, "Conspiracy," also aired on the Sterling Cable TV Network in NYC. "Sunrise" was published in The Pawn Review, Vol. I, No. 2: 44-54. “Isometrics & The Towel” was published in Atlantic Pacific Press (Boston) Autumn 2009 (Vol. 2, No. 3): 60-75.

      

      

            READINGS & GUEST LECTURES

      

                Instituto Allende, San Miguel de Allende, Mexico; University of Maine;  California State University at Fresno; North Texas State University; Southern Methodist University; Texas Christian University; Texas Tech University; University of Kansas; Baylor University; Stephen F. Austin State University; Sam Houston State University; Texas Circuit (Austin);Poets In Chapel Series (Austin); Midwestern State University Readers Theatre; and others, including academic presentations at South Central Conference on Christianity and Literature, Conference of College Teachers of English, Texas Association of Creative Writing Teachers, Mid-West  Association for Latin American Studies (St. Louis), American Studies Association of Texas (Baylor), Midwestern State University Faculty Forum,  Associated Writing Programs (Austin, TX, and Portland, OR); and other readings at Shakespeare &  Co. Book Store (Dallas), Cable Channel B (Dallas), University of Texas at Dallas and CUNY Graduate Center (American Literary Translators Association), University of Arkansas, Open Theatre (Austin), University of  Iowa (American Literary Translators Association), Fort Concho Literary Festival, San Diego (American Literary Translators Association), Americas Society (New York City), University of North Texas Literary Festival, Contemporary Arts on McKinney (Dallas), Havana, Cuba, Boston University (University Professors Guest Lecture on Literary Translation and Theory), University of Iowa Spanish Colloquium, Prairie Lights Book Store in Iowa City, Texas Book Festival, Houston Book Festival, Associated Writing Programs (Chicago), Texas A& M, Univ. of Texas at Dallas, numerous readings for American Literary Translators Association conferences, and others.

      

      

            HONORS & AWARDS

      

Hardin Professor of the Year, 1977; National Endowment for the Arts  Creative Writing Fellowship Grant, 1979; Texas Institute of Letters (membership granted only by invitation); Hart Crane & Alice Crane Williams Memorial Fund Award for poetry; Midwestern University Fine Arts Festival Award; Roll of Honor, The Best American Short Stories (1970, 1973); Anthology of American Verse and Yearbook of American Poetry (1981, 1984);  Brazos Bookstore (Houston) Short Story Award from Texas Institute of Letters, 1990; McMurtry Distinguished Professor of English, 1997; Soeurette Diehl Fraser Translation Award from Texas Institute of Letters, 1999; Stanley Walker Journalism Award from Texas Institute of Letters, 2000; Poet Laureate of Texas, 2000; Perkins-Prothro Distinguished Professor of English, 2001; Lon Tinkle Award for Excellence Sustained Throughout A Career, Texas Institute of Letters, 2006; PEN Texas Poetry Award, 2007; PEN Southwest Poetry Award (Wearing The River: New Poems); research grants from Midwestern State University; and  others

      

      

            BIOGRAPHICAL LISTINGS

      

International Who's Who In Poetry, Outstanding Educators of America,  Personalities of the South, Dictionary of International Biography, Contemporary Authors, Personalities of America, Who's Who In U.S. Writers,  Editors & Poets, The Writers Directory, and others

      

      

            UNIVERSITY ACTIVITIES

      

Director of MSU Press; former member and officer  of Faculty Senate; former president of MSU chapter of AAUP; Core  Curriculum Committee; acting department chairman during several summers; former sponsor of Sigma Tau Delta, honorary English fraternity; former faculty advisor for Voices; departmental travel committee and scholarship committees; judge for Vinson Awards in Creative Writing; coordinator for  bringing writers to MSU for public readings yearly; former chairman of Rank & Tenure Committee; former chairman of Honors Program Committee; and others       

      

            OTHER ACTIVITIES & MEMBERSHIPS

      

Conference of College Teachers of English; South Central Modern Language Association; South Central Conference on Christianity & Literature; American Literary Translators Association; Southwest Council of Latin American Studies; American Studies Association of Texas; former assistant  editor of Helios: Journal of the Classical Association of the Southwestern United States; Corresponding Editor for Pacific South America for Manoa (Univ. Of Hawaii); former editor of Texas Writers Newsletter; editor of Mensa Alta Anthology: Papers by Hardin Professors at MSU; editor of Midwestern State University Press; faculty coordinator for Mensa Alta, the organization of  Hardin Professors at MSU; writer in residence and guest professor at  Instituto Allende in San Miguel de Allende, Mexico (summers 1977, 1978); past consultant and visiting writer at SMU's Fort Burgwin Writers Workshop at Ranchos de Taos, New Mexico; twice chairman of Texas Institute of Letters Stanley Walker Journalism Award Committee; judge for TexasInstitute of Letters Poetry Award, Fiction Award, Journalism Award; regular book reviewer forDallas Times Herald (till its demise); regular columnist for Westwords section ofWestward Magazine of the Dallas Times Herald; former editor of Texas Institute Of Letters Newsletter; Texas Institute of Letters Council (1989--); Secretary-Treasurer of Texas Institute of Letters (1990-1994); former  President of Texas Institute of Letters (1994-1998) 1996; and others.